“Behind every door in London there are stories, behind every one ghosts. The greatest writers in the history of the written word have given them substance, given them life.And so we readers walk, and dream, and imagine, in the city where imagination found its great home.”

Anna Quindlen
Life Dreams Positive

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“Perhaps it was that I wanted to see what I had learned, what I had read, what I had imagined, that I would never be able to see the city of London without seeing it through the overarching scrim of every description of it I had read before. When I turn the corner into a small, quiet, leafy square, am I really seeing it fresh, or am I both looking and remembering? [...]This is both the beauty and excitement of London, and its cross to bear, too. There is a tendency for visitors to turn the place into a theme park, the Disney World of social class, innate dignity, crooked streets, and grand houses, with a cavalcade of monarchs as varied and cartoony as Mickey Mouse, Snow White, and, at least in the opinion of various Briths broadhseets, Goofy.They come, not to see what London is, or even what it was, but to confirm a kind of picture-postcard view of both, all red telephone kiosks and fog-wreathed alleyways.”


“Every story has already been told. Once you've read Anna Karenina, Bleak House, The Sound and the Fury, To Kill a Mockingbird and A Wrinkle in Time, you understand that there is really no reason to ever write another novel. Except that each writer brings to the table, if she will let herself, something that no one else in the history of time has ever had."[Commencement Speech; Mount Holyoke College, May 23, 1999]”


“I know who we are, and how we got that way. We are writers. We danced with the words, as children, in what became familiar patterns. The words became our friends and our companions, and without even saying it aloud, a thought danced with them: I can do this. This is who I am.”


“London opens to you like a novel itself. [...] It is divided into chapters, the chapters into scenes, the scenes into sentences; it opens to you like a series of rooms, door, passsage, door. Mayfair to Piccadilly to Soho to the Strand.”


“Who says great literatue has to be written by men? Who says great literature has to be about scary, creepy stuff like adulterers being punished and black slaves breaking loose and giant whales eating people? Why can't literature just be stories about women? Refined, respectable women have just as much to say as ignorant black slaves or bloodthirsty Indians or mad white whaling captains. Why do we have to pretend those people's lives matter more than our own?”


“I wondered why I hadn't loved that day more, why I hadn't savored every bit of it...why I hadn't known how good it was to live so normally, so everyday. But you only know that, I suppose, after it's not normal and every day any longer.”