“I'm fine," she said. But her smile was bleak, without light or warmth. And for the first time I thought of what it must be like to know that you were going to die, that the trees would bud, flower, leaf, dry, die, and you would not be there to see any of it.”

“My mother spoke, alive again inside my brain...She spoke and I listened to her, because I was afraid if I didn't her voice would gradually fade away, an evanescent wraith of a thing that would narrow to a pinpoint of light and then go out, lost forever, like the Tinker Bell if no one clapped for her.”

“How many times in the past three months have I been reminded of Ruby's two selves, the careful courteous young woman who spoke so sweetly to strangers and the person she let loose at home, where she was safe, where she could be spiky and harsh and uncertain and at sea? I have two selves now, too, the one that goes out in the world and says what sound like the right things and nods and listens and sometimes even smiles, and the real woman, who watches her in wonder, who is nothing but a wound, a wound that will not stop throbbing except when it is anesthetized. I know what the world wants: It wants me to heal. But to heal I would have to forget, and if I forget my family truly dies.”

“The lightning bugs are back. They fly low to the ground as the lawn dissolves from green to black in the dusk. Seeing them, I can reconstruct a childhood: a hot night under tall trees; the Good Humor man, in his square white truck, the freezer smoky when he reaches inside for an ice cream.The lightning bugs trapped in empty jars with holes on top. "Let them out," our mother said, "or they will die in there." We were careless. We alwaysforgot to open the jars. The bugs would be there in the morning, their yellow tails dim in the white light of the summer sun, pathetic as they lay ontheir backs. We were always horrified by what we had done. As night fell we shook them out and caught more.I relive the magic of the yellow light without the bright white of hindsight. The little flares in the darkness, a distillation of the kind of life we think we had, we wish we had, we want again.”

“There was a period when I believed stuff meant something. I thought that if you had matching side chairs and a sofa that harmonized and some beautiful lamps to light them you would have a home, that elegance signaled happiness.”

“That was the old Ellen Gulden, the girl who would walk over her mother in golf shoes, who scared students away from writing seminars, who started work on Monday after graduating from Harvard with honors on a Thursday, who loved the moments in the office when she would look out at the impenetrable black of the East River, starred with the reflected lights of Queens, with only the cleaning crew for company, and think of her various superiors out at dinner parties and restaurants and her various similars out at downtown clubs or cheap but authentic places in Chinatown and say to herself, 'I'm getting ahead.' That Ellen Gulden, the one her boss suspected of using the dying-mother ploy to get more money or a better job title, would have covered every inch of [this datebook] with the frantic scribble of unexamined ambition.”

“I had that feeling you have when you're watching a sad movie, sobbing at the heartbreak you are feeling at the same time that you know the heartbreak isn't exactly real, that it will be gone by the time you get home and make a cup of tea. I found a lot of life like that when I was younger, as though I was practicing for what came later.”