“It is a troublesome thing, Halford, this susceptibility to affronts where none are intended.”

“Matrimony is a serious thing.”

“how shall I get through the months or years of my future life, in company with that man -- my greatest enemy -- for none could injure me as he has done? Oh! when I think how fondly, how foolishly I have loved him, how madly I have trusted him, how constantly I have laboured, and studied, and prayed, and struggled for his advantage, and how cruelly he has trampled on my love, betrayed my trust, scorned my prayers and tears, and efforts for his preservation --crushed my hopes, destroyed my youth's best feelings, and doomed me to a life of hopeless misery -- as far as man can do it -- it is not enough to say that I no longer love my husband -- I HATE him! The word stares me in the face like a guilty confession, but it is true: I hate him -- I hate him!”

“There is such a thing as looking through a person's eyes into the heart, and learning more of the height, and breadth, and depth of another's soul in one hour than it might take you a lifetime to discover, if he or she were not disposed to reveal it, or if you had not the sense to understand it.”

“He is very fond of me, almost too fond. I could do with less caressing and more rationality. I should like to be less of a pet and more of a friend, if I might choose; but I won't complain of that: I am only afraid his affection loses in depth where it gains in ardour. I sometimes liken it to a fire of dry twigs and branches compared with one of solid coal, very bright and hot; but if it should burn itself out and leave nothing but ashes behind.”

“I still preserve those relics of past sufferings and experience, like pillars of witness set up in travelling through the valve of life, to mark particular occurrences. The footsteps are obliterated now; the face of the country may be changed; but the pillar is still there, to remind me how all things were when it was reared.”

“To represent a bad thing in its least offensive light is, doubtless, the most agreeable course for a writer of fiction to pursue; but is it the most honest, or the safest? Is it better to reveal the snares and pitfalls of like to the young and thoughtless traveller, or to cover them with branches and flowers? Oh, reader! if there were less of this delicate concealment of facts--this whispering "Peace, peace," when there is no peace, there would be less of sin and misery to the young of both sexes who are left to wring their bitter knowledge from experience.”