“Each night about this time he puts on sadness like a garment and goes on writing.”

“Better and happier those who, recognizing that everything is fictitious, write the novel before someone writes it for them and, like Machiavelli, don courtly garments to write in secret.”

“He found himself wanting to write poetry about how her blue eyes were like starlight and her hair like night, because "night" and "starlight" rhymed, but he had a feeling the poem wouldn't turn out that well...”

“Lebedev: A time has come of sorrow and sadness for you. Man, my dear friend, is like a samovar. It doesn't always stand on a shelf in the chill but sometimes they put hot coals in it and it goes psh... psh! This comparison is worthless but you won't think up a cleverer one.”

“You know, one of the interesting things you find about writing fiction is that any fiction you write has to be political. Otherwise, it goes into the realm of fantasy. So like, if you write about a woman in America in 1910, if you don’t write that she can’t really control her property, that she can’t—doesn’t have any say over her children, that she can’t vote—if you don’t put that in it, then it’s a fantasy. Like, well, how is her life informed? That’s true about everybody. If you write about black people, you write about white men, I mean, it has to be political. A lot of people don’t realize that, it seems.”

“He lit the night he brought with the fire that puts out the planets when time ends.”