“A sonnet might look dinky, but it was somehow big enough to accommodate love, war, death, and O.J. Simpson. You could fit the whole world in there if you shoved hard enough.”

“If you truly love a book, you should sleep with it, write in it, read aloud from it, and fill its pages with muffin crumbs.”

“On her ideal dinner party: 'Virginia Woolf, Coleridge and Charles Lamb would have to be there. I would be scurrying around in the kitchen with Mary Lamb - she and I would do the cooking. Of course my brother would be there. I think that's about enough. That number would sustain a single conversation. Virginia and I would be the centre of attention.”

“You go from the north of Laos and then you go across the Mekong, and when the Pathet Lao soldiers fire, you do not think about your family, just yourself only. When you are on the other side, you will not be like what you were before ou get through the Mekong. On the other side you cannot say to your wife, I love you more than my life. She saw! You cannot say that anymore! And when you try to restick this thing together is is like putting glue on a broken glass.”

“It's not that I think that computers don't have their place, but surely their place is not in bed, which is my favorite place to read, and surely their place is not snuggled up with a cat in your lap in an old armchair. You can't have your laptop computer and your cat in your lap simultaneously, while trying to manage a cup of tea, which you might spill on your computer. On the other hand, if you spilled your cup of tea on your book -- well, Charles Lamb would probably just like it better. He once said that he particularly liked books that had old muffin crumbs in them. Muffin crumbs in your computer would not be a good idea.”

“My life seems too fast now, so obstructions bother me less than they once did. I am no longer in a hurry to see what is around the next bend. I find myself wanting to backferry, to hover midstream, suspended. If I could do that, I might avoid many things: harsh words, foolish decisions, moments of inattention, regrets that wash over me, like water. (196)”

“The Procrustean bed. . .suggests itself with dispiriting aptness as a metaphor for the Culture Wars, right down to the blandishments with which Procrustes must have lured his guests over the threshold. (I picture him as a handsome fellow with a large vocabulary and an oleaginous tongue, not unlike the chairmen of many English departments.) There's just one crucial difference. Sometimes Procrustes lopped off his victims, and sometimes he stretched them, but the Culture Wars always lop. I have never seen cultural politics enlarge a work of literature, only diminish it.”