“ At five that night, I went back to the market and bought three sixteen-ounce Rainier Ales. I bounced back to my house, Mary Lou Retton-like, sipped the first ale, took the Valium, smoked a joint, drank the second ale, took another Valium, listened to “Into the Mystic” ten times, drank the third Ale, too the Valium and the Halcion, and discovered two unhappy thoughts. One was it was only seven o’clock. The second was that I was wide awake.”

“I was terrified of death by the time I was three or four, actively if not lucidly. I had frequent nightmares about snakes and scary neighbors. By the age of four or five, I was terrified by my thoughts. By the time I was five, the migraines began. I was so sensitive about myself and the world that I cried or shriveled up at the slightest hurt. People always told me, "You've got to get a thicker skin," like now they might say, jovially, "Let go and let God." Believe me, if I could, I would, and in the meantime I feel like stabbing you in the forehead. Teachers wrote on my report cards that I was too sensitive, excessively worried, as if this were an easily correctable condition, as if I were wearing too much of the violet toilet water little girls wore then.”

“I took notes on the people around me, in my town, in my family, in my memory. I took notes on my own state of mind, my grandiosity, the low self-esteem. I wrote down the funny stuff I overheard. I learned to be like a ship's rat, veined ears trembling, and I learned to scribble it all down.”

“When I was a child, I thought grown-ups and teachers knew the truth, because they told me they did. It took years for me to discover that the first step in finding out the truth is to begin unlearning almost everything adults had taught me, and to start doing all the things they'd told me NOT to do. Their main pitch was that achievement equaled happiness, when all you had to do was study rock stars, or movie stars, or them, to see that they were mostly miserable. They were all running around in mazes like everyone else.”

“All good writers write [terrible first drafts.] This is how they end up with good second drafts and terrific third drafts. . . I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you've created God in your own image when it turns out that God hates all the same people you do.”

“... everyone has come to understand that unconditional love is a reality, but with as shelf life of about eight to ten seconds. [p. 110]”

“It is better to think of church in the ale-house than to think of the ale-house in church.”