“Now she and I sit together in her room and eat chocolate, and I tell her that in a very long time when we both to go heaven, we should try to get chairs next to each other, close to the dessert table.”
In this quote, Anne Lamott expresses a deep bond and connection with someone important in her life, most likely a close friend or loved one. The act of sitting together and sharing chocolates in a room symbolizes intimacy, companionship, and a sense of comfort. The mention of going to heaven together and sitting close to each other again emphasizes the strong bond and enduring nature of their relationship. Overall, this quote highlights the importance of cherishing meaningful connections and treasuring the time spent with loved ones.
In this quote by Anne Lamott, she highlights the enduring bond between friends and the importance of cherishing moments together. Today, the sentiment of valuing quality time with loved ones and creating lasting memories remains as relevant as ever.
"Now she and I sit together in her room and eat chocolate, and I tell her that in a very long time when we both to go heaven, we should try to get chairs next to each other, close to the dessert table.” - Anne Lamott"
As we reflect on this heartwarming moment between the speaker and her friend, we can consider the following questions:
“But you can’t get to any of these truths by sitting in a field smiling beatifically, avoiding your anger and damage and grief. Your anger and damage and grief are the way to the truth. We don’t have much truth to express unless we have gone into those rooms and closets and woods and abysses that we were told not go in to. When we have gone in and looked around for a long while, just breathing and finally taking it in – then we will be able to speak in our own voice and to stay in the present moment. And that moment is home.”
“Mattie sat at the table, obsessing, orbiting around herself. She was sick of her worried, hostile mind. It would have killed her long before, she felt, if it hadn't needed the transportation.”
“I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said that you can safely assume you’ve created God in your own image when it turns out that God hates all the same people you do.)”
“The very first thing I tell my new students on the first day of a workshop is that good writing is about telling the truth. We are a species that needs and wants to understand who we are. Sheep lice do not seem to share this longing, which is one reason they write so very little. But we do. We have so much we want to say and figure out.”
“All good writers write [terrible first drafts.] This is how they end up with good second drafts and terrific third drafts. . . I know some very great writers, writers you love who write beautifully and have made a great deal of money, and not one of them sits down routinely feeling wildly enthusiastic and confident. Not one of them writes elegant first drafts. All right, one of them does, but we do not like her very much. We do not think that she has a rich inner life or that God likes her or can even stand her. (Although when I mentioned this to my priest friend Tom, he said you can safely assume you've created God in your own image when it turns out that God hates all the same people you do.”
“And she is going to dance, dance hungry, dance full, dance each cold astonishing moment, now when she is young and again when she is old.”