“And oh, how she pitched herself into things. She would draw pictures all day long for weeks on end, then throw out the pencils and never draw another thing. Then it was embroidery with her, she had to learn it, and she'd make the most beautiful thing, fussing at herself for the least little mistake, then throw down the needles and be done with that forevermore. I never saw a child so changeable. It was as though she was looking for something to which she could give herself, and she never found it. Least ways not while she was a little girl.”

“Rachel found herself wishing that the week would never end-that her father could stay here forever-but knew he couldn't. If there was one thing she had learned in her brief time at Kalaupapa, it was that all things end.”

“One by one, she conjured all the boxes she'd been put into: The good girl box and the good Christian box...the mistress box...the bad daughter and fallen woman boxes...She saw with a painful blaze of clarity that every one of these boxes had been of her own making, either by consent or lack of resistance. She had no right to bitterness; she had put herself in them. And she would get herself out, she vowed. And once she was out, she'd never willingly climb into another box again.”

“That was what her parents did not understand—and had never understood—about stories. Liza told herself storied as though she was weaving and knotting an endless rope. Then, no matter how dark or terrible the pit she found herself in, she could pull herself out, inch by inch and hand over hand, on the long rope of stories.”

“Anyway, how can you say things like that? You don't know me at all." She wasn't really caught up in this game, but she was enjoying it, as she had enjoyed the dozens of declarations that had been made to her since she was eleven. Her earliest memories were of being told how beautiful she was. Something in her never believed the words, never felt satisfied. It wasn't modesty; it was a craving for more proof than anyone had ever yet given her. Her mind worked constantly at trying to understand for herself exactly what other people saw when they looked at her. She could never grasp it whole and living. Her deepest fantasy was to step outside of her skin and look at herself and find out just what people were thinking about. She spent her life experimenting with people to see how she could make them react, as if, in their response, she could discover herself.”

“She didn’t believe there was anything like perfect, fairytale love. Most people were flawed and prone to mistakes. She thought herself a romantic but treated love with the same practicality she did most things. They’d had fall-outs and misunderstandings but she’d never been free to be herself like she was with Edward. She couldn’t imagine being with another person after him.”