“But no one will weep for me or for them. They have been buried, nameless, beneath five centuries of time.I am a vampire.My name is Vittorio, and I write this now in the tallest tower of the ruined mountaintop castle in which I was born, in the northernmost part of Tuscany, that most beautiful of lands in the very center of Italy.”

“I have been mortal, and some part of me is mortal yet. I am full of tears and hunger and the fear of death, although I cannot weep, and I want nothing, and I cannot die. I am not like the others now, for no unicorn was ever born who could regret, but I do. I regret.”

“I think having land and not ruining it is the most beautiful art that anybody could ever want.”

“Sometimes the dolls of the Hopi Indians of New Mexico have heads which represent, schematically, a medieval castle. I shall try to enter that castle. There are no doors; the ramparts have the thickness of a thousand centuries. It is not in ruins, as you might think.”

“I am from there. I am from here.I am not there and I am not here.I have two names, which meet and part,and I have two languages.I forget which of them I dream in.”

“But, Ashley, what are you afraid of?''Oh, nameless things. Things which sound very silly when they areput into words. Mostly of having life suddenly become too real, ofbeing brought into personal, too personal, contact with some of thesimple facts of life. It isn't that I mind splitting logs here inthe mud, but I do mind what it stands for. I do mind, very much,the loss of the beauty of the old life I loved. Scarlett, beforethe war, life was beautiful. There was a glamor to it, aperfection and a completeness and a symmetry to it like Grecianart. Maybe it wasn't so to everyone. I know that now. But to me,living at Twelve Oaks, there was a real beauty to living. Ibelonged in that life. I was a part of it. And now it is gone andI am out of place in this new life, and I am afraid. Now, I knowthat in the old days it was a shadow show I watched. I avoidedeverything which was not shadowy, people and situations which weretoo real, too vital. I resented their intrusion.”