“...his hand spread itself out flat on the table. I paused and took another good look at him. There was something otherworldly about him, the way that he sat, the way he used this one hand to gesture. It was the decorum primitive people often have that makes them seem repositors of immense wisdom, when in fact all they possess is immense conviction.”

“I followed the sensation,thinking of Lend. What it felt like to hold his hand. Watching him draw.Those precious times when he got to be nothing but himself around me. The way he laughed. The look he got in his eyes when he was about to say something he knew was clever. The way he looked at while I talked, like I was all he had ever wanted in the entire world.”

“He sat leaning forward in the seat with his elbows on the empty seatback in front of him and his chin on his forearms and he watched the play with great intensity. He'd notion that there would be something in the story itself to tell him about the way the world was or was becoming but there was not. There was nothing in it at all.”

“Before he left Rome, Marcus had been in a fair way to becoming a charioteer, in Cradoc's sense of the word, and now desire woke in him, not to possess this team, for he was not one of those who much be able to say "Mine" before they can truly enjoy a thing, but to have them out and harnessed; to feel the vibrating chariot floor under him, and the spread reins quick with life in his hands, and these lovely, fiery little creatures in the traces, his will and theirs at one.”

“and when he saw the kid standing there looking looking down at him he held out to him his bloodied hands as if in accusation and then clapped them to his ears and cried out what it seemed he himself would not hear, a howl of such outrage as to stitch a caesura in the pulsebeat of the world.”

“He reassures her, but he feels her soft laughter travel through their joined hands — how did that happen? — as they make their way downstairs.And he understands. He understands why people hold hands: he’d always thought it was about possessiveness, saying This is mine. But it’s about maintaining contact. It is about speaking without words. It is about I want you with me and don’t go.He wants her in his bedroom. And not in that way — no girl has ever been in his bedroom that way. It is his private space, his sanctuary. But he wants Clary there. He wants her to see him, the reality of him, not the image he shows the world. He wants to lie down on the bed with her and have her curl into him. He wants to hold her as she breathes softly through the night; to see her as no one else sees her: vulnerable and asleep. To see her and to be seen.”