“Master, the paintings, the paintings in the storage rooms!" I cried."Forget the paintings. It's too late. Boys, run from here, get out now, save yourselves from the fire."Knocking the attackers back, he shot up the stairwell and called down to me from the uppermost railing. "Come, Amadeo, fight them off, believe in your strength, child, fight.”

“You get that he took something precious from you, your ability to trust.... He took that from you, now's your time to fight and get it back...Just live in the now, Kia, keep livin' in the now and when I say that, right now..""That doesn't make me any less scared, Sam," I whispered in his ear and he lifted his head and looked down at me.""He strapped you with that too, baby. Fight back and learn to be fearless.”

“In case you still haven't figured it out, he loves you. Your tiger will be back in the morning, and you can thank me anytime. Now, do I have to paint another picture for you, or do you think you can take it from here by yourself without screwing up?”

“One day he trapped a large raven, whose wings he painted red, the breast green, and the tail blue. When a flock of ravens appeared over our hut, Lekh freed the painted bird. As soon as it joined the flock a desperate battle began. The changeling was attacked from all sides. Black, red, green, blue feathers began to drop at our feet. The ravens ran amuck in the skies, and suddenly the painted raven plummeted to the freshly-plowed soil. It was still alive, opening its beak and vainly trying to move its wings. Its eyes had been pecked out, and fresh blood streamed over its painted feathers. It made yet another attempt to flutter up from the sticky earth, but its strength was gone.”

“Peter had two short swords strapped on his back, the belts crisscrossing his chest bandito style. A black splash of war paint covered his face, and his golden eyes gleamed out from the paint. He pulled his swords free, clanged them together, and all the Devils lined up on either side of him. (the Child Thief)”

“You're like a witness. You're the one who goes to the museum and looks at the paintings. I mean the paintings are there and you're in the museum too, near and far away at the same time. I'm a painting. Rocamadour is a painting. Etienne is a painting, this room is a painting. You think that you're in the room but you're not. You're looking at the room, you're not in the room.”