“All places where the French settled have corruption at their heart, a kind of soft, rotten glow, like the phosphorescence of decaying wood, that is oddly attractive.”

“I still don't know a place with lovelier Aprils. The mornings and nights are fresh and cool, and the sun pours down like spilled honey, warm without the thick wet weight of the coming summer. The damp earth is as red as flesh, or blood, and so fecund that you can almost hear the thrumming, rustling push of growth up through it. The new foliage is a thousand different shades of pink, red, gold, and green. I could not seem to stay indoors at night in that first spring; I was enraptured with the startling, ghostly white showfalls of dogwood in dusk-green woods, and with streetlights shining through new leaves. Azaleas rolled like surf through the wooded hills of the northwest.”

“The very old can tell you about peace. They have fought through the black, sinking, visceral knowledge of death–their own death–that heralds middle age and come to the place where childhood meets them once more, and with it that ineffable treasure that only the very young and old know: the tranquility of the moment. The contentment of living each day as it comes to them, wholly and with all senses. The young do it because they know nothing, yet, of pain and fear and the transience of their lives; the old because they know everything of those things and can bear them only by staying in the moment. Carpe diem> may be the sum of all the world's wisdom. I have always thought Horace must have been old when he wrote it.”

“It was lovely wine, soft and full of flowers.”

“Jenny looked, as usual, elegant and as fine-drawn as a young doe, but oddly muted, as if she had been outlined in sepia.”

“There was no moon at all, and a faint silver peppering of starts fardly showed through the scrim of high clouds. The sea itself seemed to give off light, a spectral, colorless light that was more like the sea's breath. The night was soft and thick and black and warm as velvet, silky on my skin, smelling of iodine and salt and crepe myrtle and that ineffable, skin-prickling saline emanation that says 'ocean' to me whenever I smell it, hundreds of miles inland. It always moves me close to tears, so visceral, so old and tidal is its pull. I have often thought that it is the first smell we know, the amniotic smell of our first, secret sea.”

“Walter loves the sea, and I need it in some elemental way that I cannot even come close to verbalizing. I become dim and shriveled somehow at my very core if I am away from the sea too long. When I return to it I seem to fill up and overflow with it, soaking in the vast, sighing wetness of it like a parched vine in a long, soft spring rain.”