“The very old can tell you about peace. They have fought through the black, sinking, visceral knowledge of death–their own death–that heralds middle age and come to the place where childhood meets them once more, and with it that ineffable treasure that only the very young and old know: the tranquility of the moment. The contentment of living each day as it comes to them, wholly and with all senses. The young do it because they know nothing, yet, of pain and fear and the transience of their lives; the old because they know everything of those things and can bear them only by staying in the moment. Carpe diem> may be the sum of all the world's wisdom. I have always thought Horace must have been old when he wrote it.”

“There was no moon at all, and a faint silver peppering of starts fardly showed through the scrim of high clouds. The sea itself seemed to give off light, a spectral, colorless light that was more like the sea's breath. The night was soft and thick and black and warm as velvet, silky on my skin, smelling of iodine and salt and crepe myrtle and that ineffable, skin-prickling saline emanation that says 'ocean' to me whenever I smell it, hundreds of miles inland. It always moves me close to tears, so visceral, so old and tidal is its pull. I have often thought that it is the first smell we know, the amniotic smell of our first, secret sea.”

“Anyone who has lost a love to death can tell you about that fall. You wake from a hard-won sleep and be there warm and groggy and consider engaging the day. And then you remember. Half of you is not there, and never will be again. The person who focused all the disparate parts of you into a whole is gone. The agony is too much; you almost welcome the great slide ahead of you. But there is no oblivion in it. Only blackness and an endless well of red pain.”

“I thought. I thought of the slow yellow autumn in the swamp and the high honey sun of spring and the eternal silence of the marshes, and the shivering light on them, and the whisper of the spartina and sweet grass in the wind and the little liquid splashes of who-knew-what secret creatures entering that strange old place of blood-warm half earth, half water. I thought of the song of all the birds that I knew, and the soft singsong of the coffee-skinned women who sold their coiled sweet-grass baskets in the market and on Meeting Street. I thought of the glittering sun on the morning harbor and the spicy, somehow oriental smells from the dark old shops, and the rioting flowers everywhere, heavy tropical and exotic. I thought of the clop of horses' feet on cobblestones and the soft, sulking, wallowing surf of Sullivan's Island in August, and the countless small vistas of grace and charm wherever the eye fell; a garden door, a peeling old wall, an entire symmetrical world caught in a windowpane. Charlestone simply could not manage to offend the eye. I thought of the candy colors of the old houses in the sunset, and the dark secret churchyards with their tumbled stones, and the puresweet bells of Saint Michael's in the Sunday morning stillness. I thought of my tottering piles of books in the study at Belleau and the nights before the fire when my father told me of stars and butterflies and voyages, and the silver music of mathematics. I thought of hot, milky sweet coffee in the mornings, and the old kitchen around me, and Aurelia's gold smile and quick hands and eyes rich with love for me.”

“Everything about it and the fierce old coast around it, had the ring and taste and feel of utter rightness to me. Its peace and loneliness crept into my veins and ran there, its wildness called out to the deep buried wildness in my heart.”

“I fell in love with Peter at that precise instant. I don't suppose many other women know the exact moment the rest of their lives began.”

“Peter and I danced in bare feet in the cold wet undergrowth while the moon poured its wild old silver down on us and the water ran black and ancient and the moss shone.”