“The very old can tell you about peace. They have fought through the black, sinking, visceral knowledge of death–their own death–that heralds middle age and come to the place where childhood meets them once more, and with it that ineffable treasure that only the very young and old know: the tranquility of the moment. The contentment of living each day as it comes to them, wholly and with all senses. The young do it because they know nothing, yet, of pain and fear and the transience of their lives; the old because they know everything of those things and can bear them only by staying in the moment. Carpe diem> may be the sum of all the world's wisdom. I have always thought Horace must have been old when he wrote it.”

“And after his death - or even before it, perhaps - he lived on in camp legend as a demented old man of seventy who had once written poetry in the outside world and was therefore nicknamed The Poet. And another old man - or was it the same one? - lived in the transit camp of Vtoraya Rechka, waiting to be shipped to Kolyma, and was thought by many people to be Osip Mandelstam - which, for all I know, he may have been. That is all I have been able to find out about the last days, illness and death of Mandelstam. Others know very much less about the death of their dear ones.”

“I know that as a very young child, I was afraid of death. Many children become aware of the notion of death early and it can be a very troubling thing. We're all in this continuum: I'm this age now, and if I live long enough I'll be that age. I was 20 once, I was 10, I was 4. People who are 20 now will be 50 one day. They don't know that! They know it in the abstract, but they don't know it. I'd like them to know it, because I think it gives you compassion.”

“It is very difficult to know people and I don't think one can ever really know any but one's own countrymen. For men and women are not only themselves; they are also the region in which they are born, the city apartment or the farm in which they learnt to walk, the games they played as children, the old wives' tales they overheard, the food they ate, the schools they attended, the sports they followed, the poets they read, and the God they believed in. It is all these things that have made them what they are, and these are the things that you can't come to know by hearsay, you can only know them if you have lived them.”

“Death is not an evil, because it frees us from all evils, and while it takes away good things, it takes away also the desire for them. Old age is the supreme evil, because it deprives us of all pleasures, leaving us only the appetite for them, and it brings with it all sufferings. Nevertheless, we fear death, and we desire old age.”

“I tell you this because books for young readers are so often written about that very moment: the moment of the fork. The moment the old man cannot return to.”