“Disaster followed disaster... the hero stuck in there, though. Macon had long ago noticed that all adventure movies had the same moral: Perseverance pays. Just once he'd like to see a hero like himself -- not a quitter, but a man who did face facts and give up gracefully when pushing on was foolish.”

“Why did popular songs always focus on romantic love? Why this preoccupation with first meetings, sad partings, honeyed kisses, heartbreak, when life was also full of children's births and trips to the shore and longtime jokes with friends? Once Maggie had seen on TV where archaeologists had just unearthed a fragment of music from who knows how many centuries B.C., and it was a boys lament for a girl who didn't love him back. Then besides the songs there were the magazine stories and the novels and the movies, even the hair-spray ads and the pantyhose ads. It struck Maggie as disproportionate. Misleading, in fact.”

“Much of Macon's youth was ruled by connotations.”

“Once upon a time, there was a woman who discovered she had turned into the wrong person.”

“He began to see the situation from another angle. An assignment had been given him. Someone’s life, a small set of lives had been placed in the palm of his hand. Maybe he would never have any more purpose than this: to accept the assignment gracefully, lovingly, and do the best he could with it.”

“It seems to me that since I've had children, I've grown richer and deeper. They may have slowed down my writing for a while, but when I did write, I had more of a self to speak from.”

“...he thought of dying as a kind of adventure, something new that he hadn't yet experienced. Like an unusual vacation trip.”