“It’s a plié. You do it on all the positions. It’s very good for dramatic moments.”

“It’s all going to be okay. She would like to hear that now, even if it was a lie. Because some lies are beautiful. Stories do not tell you that.”

“Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.”

“It turned out she did not need the compass. It was easy to head in the other direction from the lair of the witch. All you had to do was move away from the thing pulling at you.”

“But if you were Charlotte, and you had been feeling that life was some cosmic joke that had no punchline, and in the space of a moment you had gone from being Charlotte-without-a-kitten to being Charlotte-with-a-kitten, you too would have found it nothing short of remarkable.”

“Hazel knew her mother really meant I hope there is something you were dying to do at school today, that you are learning to love it there, and if you are not learning to love it there, can you please try harder? Because her mom seemed to think it was the sort of thing Hazel could choose to do, like she could choose to understand the rules when they weren’t even written in her language, like she could choose to make herself fit when she was so clearly shaped all wrong.”

“Hazel could not explain that she had forgotten, that there was Jack and soul-sucking villains, and sometimes you are too scratchy to remember the things you are supposed to do, even if you do feel really bad about it later.”