“(James Joyce, in conversation with Carl Jung:)"Literary artists know more about the human mind than you fellers have a hope in hell of knowing. Ha. My craft is ebbing. I am yung and easily freudened. One of these days I'll show the lot of you what the unconscious mind is really like. I don't need any of you. In a sense I am Freud."Jung looked gloomily guilty at the name. "Yes?""What's Freud in English?""Joy.""Joy and Joyce. There's little enough difference. Except that I add C and E for Creative Endeavour. I spit in all your eyes.”

“That's what it's going to be then, brothers, as I come to the like end of this tale. You have been everywhere with your little droog Alex, suffering with him, and you have viddied some of the most grahzny bratchnies old Bog ever made, all on to your old droog Alex. And all it was was that I was young. But now as I end this story, brothers, I am not young, not no longer, oh no. Alex like groweth up, oh yes.But where I itty now, O my brothers, is all on my oddy knocky, where you cannot go. Tomorrow is all like sweet flowers and the turning young earth and the stars and the old Luna up there and your old droog Alex all on his oddy knocky seeking like a mate. And all that cal. A terrible grahzny vonny world, really, O my brothers. And so farewell from your little droog. And to all others in this story profound shooms of lipmusic brrrrrr. And they can kiss my sharries. But you, O my brothers, remember sometimes thy little Alex that was. Amen. And all that call.”

“It may not be nice to be good, little 6655321. It may be horrible to be good. And when I say that to you I realize how self-contradictory that sounds. I know I shall have many sleepless nights about this. What does God want? Does God want goodness or the choice of goodness? Is a man who chooses the bad perhaps in some way better than a man who has the good imposed upon him? Deep and hard questions, little 6655321.”

“Go on, do me in, you bastard cowards, I don't want to live anyway, not in a stinking world like this one.' I told Dim to lay off a bit then, because it used to interest me sometimes to slooshy what some of these starry decreps had to say about life and the world. I said: 'Oh. And what's stinking about it?”

“Where do I come into all of this? Am I just some animal or dog?' And that started them off govoreeting real loud and throwing slovos at me. So I creeched louder still, creeching: 'Am I just to be like a clockwork orange?”

“Look, I don't see why bad artists - I mean artists who are obviously incompetent... - why they should be presented hypocritically as good artists just because they're supposed to be advancing the frontiers of freedom of expression or... ...demonstrating that there should be no limit on subject matter.”

“And then, before he told me, I knew what it was. The old ptitsa who hadall the kots and koshkas had passed on to a better world in one of the cityhospitals. I'd cracked her a bit too hard, like. Well, well, that waseverything. I thought of all those kots and koshkas mewling for moloko andgetting none, not any more from their starry forella of a mistress. That waseverything. I'd done the lot, now and me still only fifteen.”