“Did dreams, he wondered, when they arrived, make a sound? The smallest kind, like the noise of an embryo being conceived, or a snowflake touching down?”

“Behind her leg a shy little girl - Grace - smiling up. "Dad?" It was a kind hope. But his dreams spoke to none of that: when he slept he dreamt of darkness, or of people he did not recognize, or of water closing slowly, almost gratefully, over his head.”

“Twenty thousand days and nights in one place, each layered and trapped and folded on top of the last, the creases in her hands, the aches between her vertebrae. Embryo, seed coat, endosperm: What is a seed if not the purest kind of memory, a link to every generation that has gone before it?”

“Here was the worst curse: he managed to force the dream from his conscious mind often enough that when it returned to him (opening the pantry door, say, recalling the sweep of floodwater), the experience of it became fresh and bleeding once more.”

“the dreams had ceased coming, as they often did, retreating somewhere else for years, until another event of sufficient significance neared, and the patterns of circumstance dragged them to the surface again.”

“To a certain extent, time was malleable, what he did did matter. Grace was proof of that. Naaliyah was alive.”

“Here's what I mean by the miracle of language. When you're falling into a good book, exactly as you might fall into a dream, a little conduit opens, a passageway between a reader's heart and a writer's, a connection that transcends the barriers of continents and generations and even death ... And here's the magic. You're different. You can never go back to being exactly the same person you were before you disappeared into that book.”