“For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.”

“I used to imagine life divided into separate compartments, consisting, for example, of such dual abstractions as pleasure and pain, love and hate, friendship and enmity; and more material classifications like work and play: a profession or calling being, according to that concept—one that seemed, at least on the surface, unequivocally assumed by persons so dissimilar from one another as Widmerpool and Archie Gilbert, something entirely different from “spare time.” That illusion, as such a point of view was, in due course, to appear—was closely related to another belief: that existence fans out indefinitely into new areas of experience, and that almost every additional acquaintance offers some supplementary world with its own hazards and enchantments. As time goes on, of course, these supposedly different worlds, in fact, draw closer, if not to each other, then to some pattern common to all; so that, at last, diversity between them, if in truth existent, seems to be almost imperceptible except in a few crude and exterior ways: unthinkable, as formerly appeared, any single consummation of cause and effect. In other words, nearly all the inhabitants of these outwardly disconnected empires turn out at last to be tenaciously inter-related; love and hate, friendship and enmity, too, becoming themselves much less clearly defined, more often than not showing signs of possessing characteristics that could claim, to say the least, not a little in common; while work and play merge indistinguishably into a complex tissue of pleasure and tedium.”

“The common where we had walked the previous evening was a deserted tract of land, typical of Surrey, looking as if it might be miles from any habitation, while only a few deciduous trees divided it from country studded with bungalows. Some of the land showed traces of heath fires, charred roots and stones lying about on the blackened ground. Walking there was not at all like being in the country. Agriculture seemed as remote as in a London street. This waste land might have been some walled-in space in the suburbs where business men practised golfstrokes; or the corner of a cinema studio used for shooting wilderness scenes. It had neither memories of the past nor hope for the future.”

“Speaking about time’s relentless passage, Powell’s narrator compares certain stages of experience to the game of Russian Billiards as once he used to play it with a long vanished girlfriend. A game in which, he says, “...at the termination of a given passage of time...the hidden gate goes down...and all scoring is doubled. This is perhaps an image of how we live. For reasons not always at the time explicable, there are specific occasions when events begin suddenly to take on a significance previously unsuspected; so that before we really know where we are, life seems to have begun in earnest at last, and we ourselves, scarcely aware that any change has taken place, are careering uncontrollably down the slippery avenues of eternity."”

“Feeling unable to maintain this detachment of attitude towards human- and, in especial, matrimonial- affairs, I asked whether it was not true that she had married Bob Duport. She nodded; not exactly conveying, it seemed to me, that by some happy chance their union had introduced her to an unexpected terrestrial paradise.”

“He suddenly began to look wretched, much as I had seen him look as a schoolboy: lonely: awkward: unpopular: odd; no longer the self-confident businessman into which he had grown. His face now brought back the days when one used to watch him plodding off through the drizzle to undertake the long, solitary runs across the dismal fields beyond the sewage farms: runs which were to train him for teams in which he was never included.”

“Now I often think of the first time I received artillery fire, and the subsequent obliteration of the enemy observation post. I'll never know how many men manned the OP, but in memory I fix the number at two, and though at the time I was angry that the pompus captain took the handset from me and stole m y kills, I have lately been thankful he insisted on calling the fire mission, ans sometimes when I am feeling hopeful or even religious, I think that buy taking my two kills the pompous captain handed me life, some extra moments of living for myself or that I can offer others, though I have no idea to use or disuse these extra moments, or if I've wasted them already.”