“For some reason, the sight of snow descending on fire always makes me think of the ancient world – legionaries in sheepskin warming themselves at a brazier: mountain altars where offerings glow between wintry pillars; centaurs with torches cantering beside a frozen sea – scattered, unco-ordinated shapes from a fabulous past, infinitely removed from life; and yet bringing with them memories of things real and imagined. These classical projections, and something in the physical attitudes of the men themselves as they turned from the fire, suddenly suggested Poussin’s scene in which the Seasons, hand in hand and facing outward, tread in rhythm to the notes of the lyre that the winged and naked greybeard plays. The image of Time brought thoughts of mortality: of human beings, facing outwards like the Seasons, moving hand in hand in intricate measure: stepping slowly, methodically, sometimes a trifle awkwardly, in evolutions that take recognisable shape: or breaking into seeminly meaningless gyrations, while partners disappear only to reappear again, once more giving pattern to the spectacle: unable to control the melody, unable, perhaps, to control the steps of the dance.”

“She leaned back against the step, smoothing her hands over her stomach. Though she wasn't showing yet, just in the last week she'd started to look different. It wasn't something I could describe easily. It was like those stop-action films of flowers blooming that we watched in Biology. Every frame something is happening, something little that would be missed in real time - the sprout pushing, bit by bit, from the ground, the petals slowly moving outward. To the naked eye, it's just suddenly blooming, color today where there was none before. But in real time, it's always building, working to show itself, to become.”

“He took my face into his hands, using them to control the intensity and depth of our kiss, which quickly moved from sweet to reckless. It was the most lovely of assaults.”

“I'd heard August say more than once, "If you need something from somebody, always give that person a way to hand it to you." T. Ray needed a face-saving way to hand me over, and August was giving it to him.”

“The dove descending breaks the airWith flame of incandescent terrorOf which the tongues declareThe one discharge from sin and error.The only hope, or else despairLies in the choice of pyre or pyre-To be redeemed from fire by fire. Who then devised the torment? Love.Love is the unfamiliar NameBehind the hands that woveThe intolerable shirt of flameWhich human power cannot remove.We only live, only suspireConsumed by either fire or fire.”

“How can you come to understand your life when even the beginning is so complicated: a single cell imprinted with the color of your eyes and the shape of your face the pattern on your palm and the moods that will shadow you through your life. How can you be alive when every choice you make breaks the world into a thousand filaments each careless step branching into long tributaries of alternate lives shuddering outward and outward like sheet lightning.”