“My holy of holies in the human body, health, intelligence, talent, inspiration, love and absolute freedom-freedom from force and falsehood.”

“My holy of holies is the human body, health, intelligence, talent, inspiration, love, and absolute freedom--freedom from violence and falsehood, no matter how the last two manifest themselves.”

“And he thought about the Devil, in whom he did not believe, and he looked around at the two windows where the fires were gleaming. It seemed to him that out of those crimson eyes the Devil himself was looking at him--that unknown force that had created the mutual relation of the strong and the weak, that coarse blunder which one could never correct. That strong must hinder the weak from living--such was the law of Nature; but only in a newspaper article or in a schoolbook was that intelligible and easily accepted. In the hotchpotch which was everyday life, in the tangle of trivialities out of which human relations were woven, it was no longer a law, but a logical absurdity, when the strong and the weak were both equally victims of their mutual relations, unwillingly submitting to some directing force, unknown, standing outside life, apart from man.”

“In the big house opposite someone was playing the piano at Dolzhikov's. It was beginning to get dark, and stars were twinkling in the sky. Here my father, in an old top-hat with wide upturned brim, walked slowly by with my sister on his arm, bowing in response to greetings."Look up," he said to my sister, pointing to the sky with the same umbrella with which he had beaten me that afternoon. "Look up at the sky! Even the tiniest stars are all worlds! How insignificant is man in comparison with the universe!"And he said this in a tone that suggested that it was particularly agreeable and flattering to him that he was so insignificant. How absolutely devoid of talent and imagination he was!”

“Your talent sets you apart: if you were a toad or a tarantula, even then, people would respect you, for to talent all things are forgiven.”

“There is nothing new in art except talent.”

“When our eyes met in the compartment our spiritual fortitude deserted us both; I took her in my arms, she pressed her face to my breast, and tears flowed from her eyes. Kissing her face, her shoulders, her hands wet with tears--oh, how unhappy we were!--I confessed my love for her, and with a burning pain in my heart I realized how unnecessary, how petty, and how deceptive all that had hindered us from loving was. I understood that when you love you must either, in your reasonings about that love, start from what is highest, from what is more important than happiness or unhappiness, sin or virtue in their accepted meaning, or you must not reason at all.”