“Three o'clock in the morning. The soft April night is looking at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy.”
In this quote by Anton Chekhov, the narrator reflects on their inability to sleep due to overwhelming happiness. The imagery of the soft April night looking at the windows and stars winking at them creates a sense of intimacy and peacefulness. The use of personification in describing the night as caressingly winking adds to the overall feeling of contentment and joy. This quote highlights the beauty and tranquility of the nighttime, as well as the profound effect it can have on one's emotions.
Anton Chekhov's words capture the feeling of insomnia and contentment that many people experience in the late hours of the night. In today's fast-paced world, where we are constantly connected and bombarded with stimuli, moments of quiet happiness like this are rare and precious. Chekhov's description of the soft April night whispering its secrets to him through the stars resonates with anyone who has ever found solace in the stillness of the early hours. It serves as a reminder to slow down, appreciate the beauty around us, and find joy in the simplest of moments.
Anton Chekhov beautifully expresses his happiness in the quiet stillness of the night in the following quote: “Three o'clock in the morning. The soft April night is looking at my windows and caressingly winking at me with its stars. I can't sleep, I am so happy.” - Anton Chekhov.
Chekhov's poetic description of a sleepless night filled with happiness and the beauty of the April night sky invites us to reflect on our own moments of contentment and awe. Here are some questions to ponder:
“Ivanov: I am a bad, pathetic and worthless individual. One needs to be pathetic, too, worn out and drained by drink, like Pasha, to be still fond of me and to respect me. My God, how I despise myself! I so deeply loathe my voice, my walk, my hands, these clothes, my thoughts. Well, isn't that funny, isn't that shocking? Less than a year ago I was healthy and strong, I was cheerful, tireless, passionate, I worked with these very hands, I could speak to move even Philistines to tears, I could cry when I saw grief, I became indignant when I encountered evil. I knew inspiration, I knew the charm and poetry of quiet nights when from dusk to dawn you sit at your desk or indulge you mind with dreams. I believed, I looked into the future as into the eyes of my own mother... And now, my God, I am exhausted, I do not believe, I spend my days and nights in idleness.”
“Anna Petrovna: Kolya, my dearest, stay at home.Ivanov: My love, my unhappy darling, I beg you, don't stop me going out in the evenings. It's cruel and unjust on my part, but let me commit that injustice. It's an agony for me at home. As soon as the sun disappears, my spirit begins to be weighed down by depression. What depression! Don't ask why. I myself don't know. I swear by God's truth I don't know. Here I'm in anguish, I go to the Lebedevs and there it's still worse; I return from there and here it's depression again, and so all night... Simply despair!”
“Anna Petrovna: I am beginning to think, doctor, that fate has cheated me. The majority of people, who maybe are no better than I am, are happy and pay nothing for that happiness. I have paid for everything, absolutely everything! And how dearly! Why have I paid such terrible interest?”
“NINAYour life is beautiful.TRIGORINI see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!”
“When, on a moonlit night, you see a wide village street with its peasant houses, haystacks, sleeping willows, tranquility enters the soul; in this calm, wrapped in the shade of night, free from struggle, anxiety and passion, everything is gentle, wistful, beautiful, and it seems that the stars are watching over it tenderly and with love, and that this is taking place somewhere unearthly, and that all is well.”
“Men are made for happiness, and anyone who is completely happy has a right to say to himself: “I am doing God’s will on earth.”