“But what does he want my heart for?" the little queen asked."He just wants to own it," replied the sea lion. "That is enough. He wants to look on its beauty and know that his hands alone can touch it.”

“What is that in his hand?""A cleaver. As in-""Butcher's knife.""You got it.""I hope not.""He does not look happy.""Are you sure it's a he?""I don't want to know.”

“His noise is getting quieter, but I can still see it there still-See how he feels the skin of my hand against his, see how he wants to take it and press it against his mouth, how he wants to breathe in the smell of me and how beautiful I look to him, how strong after all that illness, and how he wants to just lightly touch my neck, just there, and how he wants to take me in his arms and-"Oh, God," he says, looking away suddenly. "Viola, I'm sorry, I didn't mean-"But I just put my hand to the back of his neck-And he says, "Viola-?"And I pull myself towards him-And I kiss him.And it feels like, finally.”

“But the boy was there, and he was looking at her. That was when Yorda understood what was drawing out her memories of the castle into the boy. It was him. He wanted to know its dark past. He wanted to know everything. No one could stop this. Not even the queen.”

“An orgasm is not what I want and I know it. What I want, need, is so much more than that. It's the connection.The exhilarating contact with this human being, a being that compels me like no other. I miss his touch, his kiss. I don't care if he gives me just a little kernel of what he can give; I'm just starving to be fed, and my body has never been like this hungry.”

“The beauty of the ragamuffin gospel lies in the insight it offers into Jesus: the essential tenderness of His heart, His way of looking at the world, His mode of relating to you and me. 'If you really want to understand a man, don't just listen to what he says, but watch what he does.”