“Miranda was shocked to hear Nicholas speak of slavery in glowing terms, as an efficient agricultural system. This wasn't the South! Yet as she surveyed her employer's strong dark profile in secret from beneath her long lashes, she was forced to conclude that the role of master suited Nicholas Van Ryn perfectly. Even when she closed her eyes, the impression of cruelty and power remained. But it was herself she saw as the darky slave, stripped of her free will and trembling at her master's approach.”

“Yes," Nicholas replied, in a bored voice. "The name is Dutch. Dragonwyck, meaning place of the dragon. It derives from an Indian legend about a flying serpent whose eyes were fire and whose flaming breath withered the corn." "Heavens!" With a light laugh, Miranda asked her new employer if the red men had sent forth a champion to do battle with the dragon.The patroon's face was dark, unsmiling. "To appease him the wise men of the tribe sacrificed a pure maiden on the rocky bluff you see above you."Miranda's laughter died. Something in Nicholas Van Ryn's cruel, handsome features made her imagine herself in the Indian maiden's place.”

“Anna had been preparing herself for this meeting, had thought what she would say to him, but she did not succeed in saying anything of it; his passion mastered her. She tried to calm him, to calm herself, but it was too late. His feeling infected her. Her lips trembled so that for a long while she could say nothing.”

“Rachel could not believe what she was hearing. Accepting that her magic worked was a huge step, yet she was speaking to the evidence. But to be offered the power to rule the world? She wasn't sure her career in exercise instruction had prepared her for this.”

“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”

“She waited for the material pictures which she thought would gather and blaze before her imagination. She waited in vain. She saw no pictures of solitude, of hope, of longing, or of despair. But the very passions themselves were aroused within her soul, swaying it, lashing it, as the waves daily beat upon her splendid body. She trembled, she was choking, and the tears blinded her.”