“You understand too little of what you see. You see a pretty face and hear a loving voice. But she is more than that, Silas. Much more. She is cold water and lack of breath. She is emptiness and oblivion. She is the very tide, drawing things to her and pulling them below.”

“She knew what Silas wanted. He wanted her to believe Amos was alive somewhere. Silas wanted help, clinging to his hope. She knew her son. For all her dislike of how much he was like his father, she knew him.”

“She thought he cared too much. Sometimes Dolores could see that her son felt what other people were feeling. He was sympathetic, she knew that. But Silas managed to make his feelings about others into another kind of absence. You’d laugh, Silas would laugh. You’d cry, he’d start crying. It was like he was tuning in to a radio station. It took a moment for the distant signal to lock in, but once it did, he’d be right in sync with you. Only when he got angry, or hurt, did the signal fail and he’d become very present indeed, and very annoyed to have his calm broken. Then it was nothing but static.”

“Old pain was heavy in the heart, hard to move, and anyway, Dolores Umber kept a tight hold of her pains and grievances. She thought her pain was the last thing she really owned, the last thing that she could keep all to herself. Her very own thing, and she didn’t much care for the idea of someone else trying to take that away from her too.”

“Amos surely left it behind for a reason, and more and more Mrs. Bowe felt she was following a path trod out for her by another. For the time being, she was willing to play the part allotted to her. But she would keep an eye on the boy in her way.”

“He could feel her doing that list thing, where she didn’t speak or look at you because she was tallying something in her head. Figuring out how bad you’d messed up.”

“And that’s the worst of it, the part no one ever tells you about.” “What part?” he said, his voice still clenched with grief. “How it never stops. How the pain of missing people never stops. When you burn your finger in a fire, it hurts, but it only hurts one way because you know what caused the pain and why the pain is there, and you know that it will settle, in a bit. But heart pain has facets, Silas. A thousand different sides, sharp and hard; most of them you don’t even know exist, even when you’re looking straight at them. When someone leaves, or dies, or doesn’t love you in return, well, you may think you know why your heart hurts. But wrapped in there are a hundred kinds of fear all tangled in a knot you can’t untie. Nobody wants to be alone. We all fear being left alone, being left behind. I know such things exist. But you must learn to see death as something more than loss, more than absence, more than silence. You must learn to make mourning into memory. For once a person takes leave of his life, that life becomes so much more a part of ours. In death, they come to be in our keeping. The dead find their rest within us. Thus, in remembrance, we are never alone. But people forget the power of memory. So we fear death in the deepest place of our very being, because we don’t know that memories make us immortal. We focus instead on being gone and the awful mystery behind absence. Love and death—and those two are very closely bound together—scare us because we can’t control them. We fear what we can’t control. That fear is really part of what makes us human, but mostly, we’re just afraid of the ends of stories we can’t foresee.”