“You understand too little of what you see. You see a pretty face and hear a loving voice. But she is more than that, Silas. Much more. She is cold water and lack of breath. She is emptiness and oblivion. She is the very tide, drawing things to her and pulling them below.”

“But when did you see her, talk to me? When did you see her go into the cave? Why did you threaten to strike a spirit? You still don't understand, do you? You acknowledged her, Broud, she has beaten you. You did everything you could to her, you even cursed her. She's dead, and still she won. She was a woman, and she had more courage than you, Broud, more determination, more self-control. She was more man than you are. Ayla should have been the son of my mate.”

“Morgan could feel her cheeks burning hot as the freezing air drew the heat from her. Her fingers ached as they pushed, and her breath clouded the air before her, making it difficult to see. Her nose burned and her eyes watered, but she kept pushing, Breathing was quickly becoming difficult, because the more cold air she sucked in, the harder it was to draw the next breath.”

“I asked her where she got her toughness. She pretended she didn't understand. Maybe she didn't at first, or maybe she had forgotten that to do the things she was prepared to do, to have them done to her, took enormous toughness, more than most people had. She said you just had to keep working on yourself until you didn't feel what they wanted you to feel, or anything else. By seven o'clock she had fallen asleep in my arms having said that she loved me and that she knew I was going through hell. She breathed like a little girl.”

“Anybody can look at a pretty girl and see a pretty girl. An artist can look at a pretty girl and see the old woman she will become. A better artist can look at an old woman and see the pretty girl that she used to be. But a great artist--a master--and that is what Auguste Rodin was--can look at an old woman, portray her exactly as she is . . . and force the viewer to see the pretty girl she used to be . . . and more than that, he can make anyone with the sensitivity of an armadillo, or even you, see that this lovely young girl is still alive, not old and ugly at all, but simply prisoned inside her ruined body.”

“Maybe this is why Misty loved him. Loved you. Because you believed in her so much more than she did. You expected more from her than she did from herself.”