“Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth.”
In this quote by Armistead Maupin, the character Pete suggests that everyone goes through a transformative moment in their lives where they lose their innocence and naivety. This "blacking factory" refers to a point in time when individuals transition from childhood to adulthood, symbolizing the loss of innocence and the acceptance of harsh realities. This quote highlights the universal theme of growing up and the inevitable loss of childhood innocence that comes with it.
Armistead Maupin's quote "Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth" highlights the lasting effects of childhood trauma on individuals. In today's society, this quote holds modern relevance as many people continue to struggle with the emotional wounds inflicted during their formative years. The idea of a "blacking factory" serves as a metaphor for the moments or experiences that shape our identities and affect our ability to trust, love, and form healthy relationships as adults. It emphasizes the importance of addressing and healing from childhood trauma in order to lead fulfilling and emotionally healthy lives.
"“Pete thinks we all have a blacking factory: some awful moment, early on, when we surrender our childish hearts as surely as we lose our baby teeth.” - Armistead Maupin"
In this quote from Armistead Maupin's novel, "Tales of the City," the character Pete makes a profound statement about the loss of innocence and the transition into adulthood. This theme is universal and can spark introspection on our own lives. Here are some reflection questions to consider:
Do you believe that everyone has a "blacking factory" moment in their life where they lose their childhood innocence? Can you identify such a moment in your own life?
How do you think the loss of innocence and surrender of our childish hearts shape who we become as adults?
Are there ways in which you have tried to hold onto elements of your childhood innocence, despite growing older?
How can moments of loss and surrender in our lives ultimately lead to growth, resilience, and wisdom?
Reflecting on Maupin's quote, do you think it is possible to reclaim aspects of our childhood innocence as adults, or is it a permanent loss?
“Thack seemed to sort something out for a moment. “Sometimes I watch him when he’s playing with Harry or digging in the yard. And I think: This is it, this is the guy I’ve waited for all my life. Then this other voice tells me not to get used to it, that it’ll only hurt more later. It’s funny. You’re feeling this enormous good fortune and waiting for it to be over at the same time.”“You seem happy,” Brian ventured.“I am.”“Well … that’s a lot. I envy you that.”Thack shrugged. “All we’ve got is now, I guess. But that’s all anybody gets. If we wasted that time being scared …”“Absolutely.”
“Oh, Mona, we're all damned fools! Some of us just have more fun with it than others. Loosen up, dear! Don't be so afraid to cry . . . or laugh, for that matter. Laugh all you want and cry all you want and whistle at pretty men in the street and to hell with anybody who thinks you're a damned fool!”
“If I had my way...We would lock ourselves away from that madness out there...”
“I'm not sure I even need a lover, male or female. Sometimes I think I'd settle for five good friends.”
“What about San Francisco?""What about it?""Did you like it?"She shrugged. "It was O.K.""Just O.K.?"She laughed. "Good God!""What?""You're all alike here.""How so?" he asked."You demand adoration for the place. You're not happy until everybody swears undying love for every nook and cranny of every precious damn --""Whoa, missy.""Well, it's true. Can't you just worship it on your own? Do I have to sign an affadavit?"He chuckled. "We're that bad, are we?""You bet your ass you are.”
“If you want to know who the oppressed minorities in America are, simply look at who gets their own shelf in the bookstore. A black shelf, a women's shelf, and a gay shelf.”