“I guess it's like James Joyce when he was a kid, you know. He hung out with all the great writers of the day, and he was a little kid, like, with tennis shoes on, and they said 'Look at this lame!' They didn't use those words in those days. They said 'God, here comes this nut.' And he told them, 'I'm great!' And he sat with them, and he loved to be with them, and it ended up that he was great.”

“What curious attitudes he goes into!' (For the messenger kept skipping up and down, and wriggling like an eel, as he came along, with his great hands spread out like fans on each side.)'Not at all,' said the King. 'He's an Anglo-Saxon Messenger-and those are Anglo-Saxon attitudes. He only does them when he's happy.”

“In those days he really didn't know what he was talking about; that is to say, he was a young jailkid all hung-up on the wonderful possibilities of becoming a real intellectual, and he liked to talk in the tone and using the words, but in a jumbled way, that he had heard from 'real intellectuals.”

“Let me guess---Nathan," he said with a bitter laugh. "It has to be Nathan. Christ, he told me day one that he liked you. But don't forget our history, Leigh. We were great together.”

“But he had always believed in fighting for the underdog, against the top dog. He had learned it, not from The Home, or The School, or The Church, but from that fourth and other great moulder of social conscience, The Movies. From all those movies that had begun to come out when Roosevelt went in.He had been a kid back then, a kid who had not been on the bum yet, but he was raised up on all those movies that they made then, the ones that were between '32 and '37 and had not yet degenerated into commercial imitations of themselves like the Dead End Kid perpetual series that we have now. He had grown up with them, those movies like the every first Dead End, like Winternet, like Grapes Of Wrath, like Dust Be My Destiny, and those other movies starring John Garfield and the Lane girls, and the on-the-bum and prison pictures starring James Cagney and George Raft and Henry Fonda.”

“All we could get out of them was that they were taking us to 'Kurokuma'. We didn't know if that was a place or a person. What does it mean, by the way?''I'm told it's a term of great respect,' Horace said, unwilling to admit that he didn't know.”