“I personally think that what the big (writers) have in common is a fierce moral sensibility, which is unquenchable and they are all burning with the same anger at the way the world is.The little ones have made a peace with it, and the bigger ones can't make any peace.”
In this quote by Arthur Miller, he highlights the difference between big writers and little writers. He argues that big writers possess a fierce moral sensibility and are fueled by their anger towards the injustices of the world, while little writers have made peace with the status quo. This analysis delves into the implications of this dichotomy in the literary world and society as a whole.
The statement made by Arthur Miller reflects the idea that great writers are driven by a deep sense of moral outrage and a desire to challenge the status quo. He suggests that this anger propels them to create powerful and impactful works that question societal norms and injustices. This contrast between big and little writers can also be seen as a commentary on the role of literature in society. Great writers, according to Miller, have a responsibility to challenge and critique the world around them, whereas lesser writers may be more inclined to accept things as they are. This quote underscores the idea that art and literature have the power to incite change and provoke thought, especially when driven by a strong moral compass.
In today's society, the words of Arthur Miller still hold true in highlighting the difference between big writers, who cannot make peace with the injustices of the world, and little writers, who have resigned themselves to the status quo. This quote serves as a reminder of the importance of standing up against societal ills and advocating for change.
“I personally think that what the big (writers) have in common is a fierce moral sensibility, which is unquenchable and they are all burning with the same anger at the way the world is. The little ones have made a peace with it, and the bigger ones can't make any peace.”
Arthur Miller suggests that big writers have a fierce moral sensibility and an unquenchable anger at the state of the world, while smaller writers have made peace with it. Consider the following questions to reflect on this idea:
“Peace. It is a providence, and no great change; we are only what we always were, but naked now.”
“If a person measures his spiritual fulfillment in terms of cosmic visions, surpassing peace of mind, or ecstasy, then he is not likely to know much spiritual fulfillment. If, however, he measures it in terms of enjoying a sunrise, being warmed by a child's smile, or being able to help someone have a better day, then he is likely to know much spiritual fulfillment. ”
“Pop, I'm nothing! I'm nothing, Pop. Can't you understand that? There's no spite in it any more. I'm just what I am, that's all.”
“[W]e conceive the Devil as a necessary part of a respectable view of cosmology. Ours is a divided empire in which certain ideas and emotions and actions are of God, and their opposites are of Lucifer. It is as impossible for most men to conceive of a morality without sin as of an earth without 'sky'. Since 1692 a great but superficial change has wiped out God's beard and the Devil's horns, but the world is still gripped between two diametrically opposed absolutes. The concept of unity, in which positive and negative are attributes of the same force, in which good and evil are relative, ever-changing, and always joined to the same phenomenon - such a concept is still reserved to the physical sciences and to the few who have grasped the history of ideas.”
“We are what we always were in Salem, but now the little crazy children are jangling the keys of the kingdom, and common vengeance writes the law!”
“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can't I say that, Willy?”