“Pop, I'm nothing! I'm nothing, Pop. Can't you understand that? There's no spite in it any more. I'm just what I am, that's all.”

“Willy: I am building something with this firm, Ben, and if a man is building something he must be on the right track, mustn't he?Ben: What are you building? Lay your hand on it. where is it?Willy [hesitantly]: That's true, Linda, there's nothing.”

“Sometimes...it's better for a man just to walk away.But if you can't walk away?I guess that's when it's tough.”

“I stopped in the middle of that building and I saw — the sky. I saw the things that I love in this world. The work and the food and time time to sit and smoke. And I looked at the pen and said to myself, what the hell am I grabbing this for? Why am I trying to become what I don't want to be? What am I doing in an office, making a contemptuous, begging fool of myself, when all I want is out there, waiting for me the minute I say I know who I am! Why can't I say that, Willy?”

“I personally think that what the big (writers) have in common is a fierce moral sensibility, which is unquenchable and they are all burning with the same anger at the way the world is.The little ones have made a peace with it, and the bigger ones can't make any peace.”

“Why am I trying to become what I don’t want to be … when all I want is out there, waiting for me the minute I say I know who I am.”

“I am amazed all over again by how magnified this project's importance has become, far beyond its being a play or an artwork. It is now a test of some kind; but of what, precisely? The incommunicability of the Chinese? If I can't claim to know my actors, I know them as well or as little as I would an American cast. I can no longer call up the notion of Chinese mysteriousness.”