“A book can never be anything more than the impress of its author's thoughts; and the value of these will lie either in the matter about which he has thought, or in the form which his thoughts take, in other words, what it is that he has thought about it.”

“Thought as such… is an act of negation, of resistance to that which is forced upon it; this is what thought has inherited from its archetype, the relation between labor and material. Today, when ideologues tend more than ever to encourage thought to be positive, they cleverly note that positivity runs precisely counter to thought, and that it takes friendly persuasion by social authority to accustom thought to positivity.”

“And form this kind of thought has emerged a new conclusion: which is that it is not only childish of a writer to want readers to see what he sees, to understand the shape and aim of a novel as he sees it—his wanting this means that he has not understood a most fundamental point. Which is that the book is alive and potent and fructifying and able to promote thought and discussion only when its plan and shape and intention are not understood, because that moment of seeing the shape and plan and intention is also the moment when there isn't anything more to be got out of it.”

“Every reader, if he has a strong mind, reads himself into the book, and amalgamates his thoughts with those of the author.”

“THE WOMAN WAS GOING TO KILL HIM, and not because she was stronger and more vicious than he was. Which, if he thought about it, she was. He’d never ripped a man’s throat out with his teeth, and he was damned impressed that Gwen had. She’d made the Lords of the Underworld look like marshmallows.”

“Every man must have the right fearlessly to think independently and express his opinion about what he knows, what he has personally thought about and experienced, and not merely to express with slightly different variations the opinion which has been inculcated in him.”