“Baby Kochamma had installed a dish antenna on the roof of the Ayemenem house. She presided over the world in her drawing room on satellite TV. The impossible excitement that this engendered in Baby Kochamma wasn’t hard to understand. It wasn’t something that happened gradually. It happened overnight. Blondes, wars, famines, football, sex, music, coups d’etat—they all arrived on the same train. They unpacked together. They stayed at the same hotel. And in Ayemenem, where once the loudest sound had been a musical bus horn, now whole wars, famines, picturesque massacres and Bill Clinton could be summoned up like servants.”

“The sky was thick with TV. If you wore special glasses you could see them spinning through the sky among the bats and homing birds—blondes, wars, famines, football, food shows, coups d'état, hairstyles stiff with hair spray. Designer pectorals. Gliding towards Ayemenem like skydivers. Making patterns in the sky. Wheels. Windmills. Flowers blooming and unblooming.”

“Every one knew he could foretell wars and famines, though that was not so hard, for there was always a war, and generally a famine somewhere.”

“WHETHER IT'S A CHILD'S TOY OR A NATION'S OIL, IT'S ALL THE SAME, the Red Rider said. YOU FIGHT FOR WHAT YOU WANT. AGGRESSION. IT'S THE SPICE OF LIFE. War was right: people had to fight for what they wanted. Or maybe balance, as Famine has said -- strength matched with temperance. No, she thought. Not balance, Control. IT'S ALWAYS ABOUT CONTROL, War agreed merrily. [as in the meaning of why wars happen]”

“Imagine a famine. Now imagine a piece of bread. Both of these things are real but you happen to be in the same room with only one of them. Put yourself into a different room, that’s what the mind is for.”

“Among all the other nights upon nights, the girl had spent that one on the boat….when it happened, the burst of Chopin…. There wasn’t a breath of wind and the music spread all over the dark boat, like a heavenly injunction whose import was unknown, like an order from God whose meaning was inscrutable. And the girl started up as if to go and kill herself in her turn, throw herself in her turn into the sea, and afterwards, she wept because she thought of the man from Cholon and suddenly she wasn’t sure she hadn’t loved him with a love she hadn’t seen because it had lost itself in the affair like water in the sand and she rediscovered it only now, through this moment of music.”