“Coherence and closure are deep human desires that are presently unfashionable. But they are always both frightening and enchantingly desirable. "Falling in love," characteristically, combs the appearances of the word, and of the particular lover's history, out of a random tangle and into a coherent plot.”

“Those words . . . national and portrait. They were both to do with identity: the identity of a culture (place, language and history), the identity of an individual human being as an object for mimetic representation.”

“...it is not possible to create the opposite of what one has always known, simply because the opposite is believed to be desired. Human beings need what they already know, even horrors.”

“The world of magic is double, natural, and supernatural. Magic is impossible in a purely materialist world, a purely sceptical world, a world of pure reason. Magic depends on, it makes use of, the body, the body of desire, the libido, or life-force which Sigmund Freud said stirred the primitive cells as the sun heated the stony surface of the earth-cells which, according to him, always had the lazy, deep desire to give up striving, to return to the quiescent state from which they were roused."-The Biographer's Tale”

“Dorothy was in that state human beings passed through at the beginning of a love affair, in which they desire to say anything and everything to the beloved, to the alter ego, before they have learned what the real Other can and can't understand, can and can't accept.”

“Balzac's cynicism was always nevertheless romantic - such greed, such gusto. 'Le dégoût, c'est voir juste. Après la possession, l'amour voit juste chez les hommes.' Why should that be so? Why was disgust any clearer-eyed than desire?”

“Things had changed between them nevertheless. They were children of a time and culture which mistrusted love, 'in love', romantic love, romance in toto, and which nevertheless in revenge proliferated sexual language, linguistic sexuality, analysis, dissection, deconstruction, exposure. They were theoretically knowing: they knew about phallocracy and penisneid, punctuation, puncturing and penetration, about polymorphous and polysemous perversity, orality, good and bad breasts, clitoral tumescence, vesicle persecution, the fluids, the solids, the metaphors for these, the systems of desire and damage, infantile greed and oppression and transgression, the iconography of the cervix and the imagery of the expanding and contracting Body, desired, attacked, consumed, feared.”