“There is a peculiar aesthetic pleasure in constructing the form of a syllabus, or a book of essays, or a course of lectures. Visions and shadows of people and ideas can be arranged and rearranged like stained-glass pieces in a window, or chessmen on a board.”
“Part of her wanted simply to sit and stare out of the window, at the lawn, flaky with sodden leaves, and the branches with yellow leaves, or few, or none, she thought, taking pleasure at least in Shakespeare’s rhythm, but also feeling old. She took pleasure, too, in the inert solidity of glass panes and polished furniture and rows of ordered books around her, and the magic trees of life woven in glowing colours on the rugs at her feet.”
“What literature can and should do is change the people who teach the people who don't read the books.”
“All English stories get bogged down in whether or not the furniture is socially and aesthetically acceptable.”
“Roland had learned to see himself, theoretically, as a crossing-place for a number of systems, all loosely connected. He had been trained to see his idea of his 'self' as an illusion, to be replaced by a discontinuous machinery and electrical message-network of various desires, ideological beliefs and responses, language-forms and hormones and pheromones. Mostly he liked this. He had no desire for any strenuous Romantic self-assertion.”
“She had had the idea that the mineral world was a world of perfect, inanimate forms, with an unchanging mathematical order of crystals and molecules beneath its sprouts and flows and branches. She had thought, when she started thinking, about her own transfiguration as something profoundly unnatural, a move from a world of warm change and decay to a world of cold permanence.But as she became mineral, and looked into the idea of minerals, she saw that there were reciprocities, both physical and figurative.”
“There was a moment during this time, when his face was on hers, cheek on cheek, brow on brow, heavy skull on skull, through soft skin and softer flesh. He thought: skulls separate people. In this one sense, I could say, they would say, I lose myself in her. But in that bone box, she thinks and thinks, as I think in mine, things the other won't hear, can't hear, though we go on like this for sixty years. What does she think I am? He had no idea. He had no idea what she was.”