“You know, it's a truism that writers for children must still be children themselves, deep down, must still feel childish feelings, and a child's surprise at the world. ”

“Independent women must expect more of themselves, since neither men nor other more conventionally domesticated women will hope for anything, or expect any result other than utter failure.”

“You do not seem aware, for all of your knowledge of the great world I do not frequent, of the usual response which the productions of the Female Pen--let alone as in our case, the *hypothetick* productions--are greeted with. The best we may hope is--oh, it is excellently done--*for a woman.* And then there are Subjects we may not treat--things we may not know...We are not mere candleholders to virtuous thoughts--mere chalices of Purity--we think and feel, aye and *read*--which seems not to shock *you* in us, in me, though I have concealed from many the extent of my--vicarious--knowledge of human vagaries. Now--if there is a reason for my persistence in this correspondence--it is this very unawareness in you--real or assumed--of what a woman must be supposed to be capable of. This is to me--like a strong Bush, well-rooted is to the grasp of one falling down a precipice--here I hold--here I am stayed--”

“Olive Wellwood had the feeling writers often have when told perfect tales for fictions, that there was too much fact, too little space for the necessary insertion of inventions, which would here appear to be lies.”

“We must come to grief and regret anyway - and I for one would rather regret the reality than its phantasm, knowledge than hope, the deed than the hesitation, true life and not mere sickly potentialities.”

“She leads you on and baffles you,” said Beatrice. “She wants you to know and not to know. She took care to write down that the box was there. And she buried it.”

“All old stories, my cousin, will bear telling and telling again in different ways. What is required is to keep alive, to polish, the simple clean forms of the tale which must be there - in this case the angry Ocean, the terrible leap of the horse, the fall of Dahud from the crupper, the engulfment etc etc. And yet to add something of yours, of the writer, which makes all these things seem new and first seen, without having been appropriated for private or personal ends.”