“The conventional use of words and of narrative structure is deliberately subverted in decadent fiction; language deviates from the established norms in an attempt to reproduce pathology on a textual level. With its emphasis on aberration and artifice, the decadents' approach to the language of fiction frequently leans towards the baroque and the obscure.”

“As societies grow decadent, the language grows decadent, too. Words are used to disguise, not to illuminate, action: you liberate a city by destroying it. Words are to confuse, so that at election time people will solemnly vote against their own interests.”

“Adornment, exoticism, affectation are all willed decadent strategies meant to pervert the texts they made. Decadent texts often live in their descriptive excursions, in their evocation of dreams, mysterious places and states of mind, in their excess of words, not events. The surface of the texts, the sound of the words, point to themselves as manufactured, as illusion. The decadents attempted to create texts that announced themselves as artifice.”

“The level of shyness has gone up dramatically in the last decade. I think shyness is an index of social pathology rather than a pathology of the individual.”

“By living a life “against nature,” the deviant or pervert becomes a hero or heroine in decadent fiction.”

“Rudeness instantly establishes a set of norms, a set of regulatory orders, authority, and power. To be rude is to go against an established accepted concept or ordered regulation. Thus rudeness could be in kind, a deviation from the norm. Rudeness can also be in kind an instantiation outside a set foundation. A deviation from a norm holds the same set foundation as the norm, their disagreement merely a manner of degrees.”