“As a rule, menstruation is generally not something seen in porn, which is a peculiar omission in an industry that fetishizes everything from shoes to stuffed animals to excretory functions. Though credit-card processing companies seem to have no problem with double- and triple-penetration sites, bukkake, and electricity play, most of them regard menstruation and other forms of blood play as out of bounds, citing obscenity violations as well as safer sex concerns---though anal cream pies and the like are at least as risky.”

“As a woman of color who is interested in these issues of democracy and who wants to enact social change, Pilaf sees the Internet as a tool that perpetuates the corporate, white, middle-class hegemony of American consumer culture rather than a tool for revolution. Instead of viewing the Internet as a new outlet for activism and that opens up a world of communication, Pilaf sees the online communication and activism as an escape valve, a way to remove oneself from interactions with people. Although I disagree with her on this point, I’m very much aware that my ability to see the Internet as revolutionary comes from a place of privilege, in which I can think of the Internet as a sexual, political, and intellectual arena because I’m in a place (geographically and economically) where these are the very things that are my primary focus and concern. Although some of Pilaf’s criticisms overlap with those technophobes who view the Internet as the devil’s playground, her observations come from a very real, intense place of political and personal discomfort with forging ahead of digital culture and the casualties this ‘progress’ may leave.”

“The darkness that exists online is not a property that lurks inside our servers and our cyberdildonics; it is inside the people who have found an outlet that exists to express themselves---for both good and evil (and sexy stuff in between). To say that the Internet is an entity that threatens human society, morality, and nature is naive at best and an expression of displaced blame at worst.”

“They crashed the front door and grabbed at a woman, though she was not running, she was not trying to escape. She was only standing, weaving from side to side, her eyes fixed upon a nothingness in the wall as if they had struck her a terrible blow upon the head. Her tongue was moving in her mouth, and her eyes seemed to be trying to remember something, and then they remembered and her tongue moved again: "Play the man, Master Ridley; we shall this day light such a candle, by God's grace, in England, as I trust shall never be put out.”

“So bring on your clubs and parties, your acrobats and magicians, your daredevils, jet cars, motorcycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment.”

“We all have our harps to play. And it's up to you now to know with which ear you'll listen.”

“Unable to make babies, they make bombs instead. Men menstruate by shedding other people's blood.”