“I love you," she said, and I knew she meant it because she spoke the words from the heart at the center of her chest. This, at least, had not been left behind at the hospital.”

“It was impossible to escape her. She provided no natural break in the conversation, and she spoke with such intensity that I would have had to abruptly shout "SHUT THE FUCK UP," punch her, and then run away in order to be free.”

“One of the things I liked about her [Dorothy] was that she had long fingernails that she would carefully manicure and paint to fit her mood. If she were in a happy mood, her nails would be bright red. If she were feeling like she wanted to eviscerate her mother she would paint her nails burgundy.”

“It was unnerving, the way she could go from cool efficiency to sarcastic to sweet within the space of thirty seconds. I found it very manipulative and controlling. It put the other person constantly on-guard. And it was extremely intimidating because you never knew when she was going to snap. I made a mental note to refine these skills within myself.”

“But she did love him. I believe it. I know exactly how that is. To love somebody who doesn't deserve it. Because they are all you have. Because any attention is better than no attention.”

“I love her handbag. Inside are papers and her wallet and cigarettes and at the bottom, where she never looks, there is loose change, loose mints, specs of tobacco from her cigarettes. Sometimes I bring the bag to my face, open it and inhale as deeply as I can.”

“I just look at her and she creeps me out. She looks like she would eat a baby. Not that she's fat. She just looks hungry in some dangerous way that can't be explained. She's always so nice and friendly. Exactly the disposition of a baby killer.”