“It was impossible to escape her. She provided no natural break in the conversation, and she spoke with such intensity that I would have had to abruptly shout "SHUT THE FUCK UP," punch her, and then run away in order to be free.”

“I love you," she said, and I knew she meant it because she spoke the words from the heart at the center of her chest. This, at least, had not been left behind at the hospital.”

“One of the things I liked about her [Dorothy] was that she had long fingernails that she would carefully manicure and paint to fit her mood. If she were in a happy mood, her nails would be bright red. If she were feeling like she wanted to eviscerate her mother she would paint her nails burgundy.”

“Because the minister's wife refused to leave the minister, and because my mother required a worshipful companion, she was forced to break up with Fern and secure herself a new mate. As luck would have it, Dr. Finch had recently begun seeing a suicidal eighteen-year-old African-American girl who had taken a leave of absence from the Rhode Island School of Design. Her name was Dorothy.”

“Well, somehow I felt if I sent Sally a donation, she would open the envelope herself and squeeze the cash into the hip pocket of her elastic- waist jeans. She would treat herself at Pizza Hut, using my envelope to dab pepperoni grease from her chin. I imagined her maybe having garlic cheese bread on the side and a salad of iceberg lettuce topped with blue- cheese dressing, Bacos and croutons.”

“I just look at her and she creeps me out. She looks like she would eat a baby. Not that she's fat. She just looks hungry in some dangerous way that can't be explained. She's always so nice and friendly. Exactly the disposition of a baby killer.”

“The line between normal and crazy seemed impossibly thin. A person would have to be an expert tightrope walker in order not to fall.”