“Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.”

“We walked always in beauty, it seemed to me. We walked and looked about, or stood and looked. Sometimes, less often, we would sit down. We did not often speak. The place spoke for us and was a kind of speech. We spoke to each other in the things we saw.”

“His answers were quite often like that. When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis. When she mentioned love, he responded with the statistical curve that indicates the automatic rise and fall in the annual birthrate. When she spoke of the great figures in art, he traced the chain of borrowings that links these figures to one another.”

“It was a nephilim.”“A nephi-what?” asked Hugh, startled.“Isn’t that a character on Sesame Street?” Peter spoke up for the first time.”

“The Maestro spoke again. "When we are not, at what point do we become?" I could not reply. For I had grasped no shape of his thoughts. I understood neither what he said nor his intent behind it.”

“But still, here are the words Despereaux Tilling spoke to his father. He said, "I forgive you, Pa!" And he said those words because he sensed that it was the only way to save his heart, to stop it from breaking in two. Despereaux, reader, spoke those words to save himself.”