“They talked about nothing in particular, sentences that had meaning only in the sound of the voices, in warm gaiety, in the ease of complete relaxation.”
“Why had we let it go? Why had we both been condemned...to an exile among dreary strangers who had made us give up all desire for rest, for friendship, for the sound of human voices? Could I now reclaim a single hour spent talking to my brother, Philip, and give it to Ken Daggart? Who made it our duty to accept, as the only reward for our work, the gray torture of pretending love for those who roused nothing but contempt?”
“She sat at the window of the train....The window frame trembled with the speed of the motion, the pane hung over empty darkness, and dots of light slashed across the glass as luminous streaks, once in a while…She sat listening to the music. It was a symphony of triumph. The notes flowed up…It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had had to be. It was the song of an immense deliverance. She thought: For just a few moments -- while this lasts -- it is all right to surrender completely -- to forget everything and just permit yourself to feel. She thought: Let go -- drop the controls -- this is it.”
“Have you felt it too? Have you seen how your best friends love everything about you- except the things that count? And your most important is nothing to them; nothing, not even a sound they can recognize.”
“She sat listening to the music. It was a symphony of triumph. The notes flowed up, they spoke of rising and they were the rising itself, they were the essence and the form of upward motion, they seemed to embody every human act and thought that had ascent as its motive. It was a sunburst of sound, breaking out of hiding and spreading open. It had the freedom of release and the tension of purpose. It swept space clean, and left nothing but the joy of an unobstructed effort. Only a faint echo within the sounds spoke of that from which the music had escaped, but spoke in laughing astonishment at the discovery that there was no ugliness or pain, and there never had to be. It was the song of an immense deliverance.”
“I often think that he's the only one of us who's achieved immortality. I don't mean in the sense of fame and I don't mean he won't die someday. But he's living it. I think he is what the conception really means. You know how people long to be eternal. But they die with everyday that passes. . . They change, they deny, they contradict- and they call it growth. At the end there is nothing left, nothing unreveresed or unbetrayed; as if there had never been an entity, only a succession of adjectives fading in and out of an unformed mass. How do they expect a permanence which they never held for a single moment? But Howard- one can imagine him living forever.”
“I want to know that I've accomplished something. I want to feel that it had some meaning. At the last summing up, I want to be sure it wasn't all-for nothing.”