“I told them this novel was an American classic, in many ways the quintessential American novel. There were other contenders: The Adventures of Huckleberry Finn, Moby-Dick, The Scarlet Letter. Some cite its subject matter, the American Dream, to justify this distinction. We in ancient countries have our past--we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.”

“We in ancient countries have our past—we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.”

“Novels ought to have hope; at least, American novels ought to have hope. French novels don't need to. We mostly win wars, they lose them. Of course, they did hide more Jews than many other countries, and this is a form of winning.”

“I can assure you Ernest Hemingway was wrong when he said modern American literature began with Huckleberry Finn. It begins with Moby-Dick, the book that swallowed European civilization whole.”

“I don't think everyone wants to create the great American novel, but we all have a dream of telling our stories-of realizing what we think, feel, and see before we die. Writing is a path to meet ourselves and become intimate.”

“I don't see much future for the Americans ... it's a decayed country. And they have their racial problem, and the problem of social inequalities ... my feelings against Americanism are feelings of hatred and deep repugnance ... everything about the behaviour of American society reveals that it's half Judaised, and the other half negrified. How can one expect a State like that to hold together?”