“There was something, both in fiction and in his life (Nabokov), that we instinctively related to and grasped, the possibility of a boundless freedom when all options are taken away.I could invent violin or be devoured by the void.”

“It is amazing how, when all possibilities seem to be taken away from you, the minutest opening can become a great freedom.”

“In another Nabokov novel, The Real Life of Sebastian Knight, Sebastian's brother discovers two seemingly incongruous pictures in his dead brother's library: a pretty, curly-haired child playing with a dog and a Chinese man in the act of being beheaded. The two pictures remind us of the close relation between banality and brutality.”

“Modern fiction brings out the evil in domestic lives, ordinary relations, people like you and me -- Reader! Bruder! as Humbert said. Evil in Austen, as in most great fiction, lies in the inability to "see" others, hence to empathize with them. What is frightening is that this blindness can exist in the best of us (Eliza Bennet) as well as the worst (Humbert). We are all capable of becoming the blind censor, or imposing our visions and desires on others.”

“Do not, under any circumstances, belittle a work of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.”

“...do not, under any circumstances, belittle a work of fiction by trying to turn it into a carbon copy of real life; what we search for in fiction is not so much reality but the epiphany of truth.”

“I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289)”