“We all had to pay, but not for the crimes we were accused of. There were other scores to settle.”

Azar Nafisi

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“The feelings I thought I had left behind returned when, almost nineteen years later, the Islamic regime would once again turn against its students. This time it would open fire on those it had admitted to the universities, those who were its own children, the children of the revolution. Once more my students would go to the hospitals in search of the murdered bodies that where stolen by the guards and vigilantes and try to prevent them from stealing the wounded.I would like to know where Mr. Bahri is right now, at this moment, and to ask him: How did it all turn out, Mr. Bahri - was this your dream, your dream of the revolution? Who will pay for all those ghosts in my memories? Who will pay for the snapshots of the murdered and the executed that we hid in our shoes and closets as we moved on to other things? Tell me, Mr. Bahri-or, to use that odd expression of Gatsby's, Tell me, old sport- what shell we do with all this corpses on our hands?”


“One cancels the other, and yet without one, the other is incomplete. In the first photograph, standing there in our black robes and scarves, we are as we had been shaped by someone else’s dreams. In the second, we appear as we imagined ourselves. In neither could we feel completely at home.”


“The novels were an escape from reality in the sense that we could marvel at their beauty and perfection. Curiously, the novels we escaped into led us finally to question and prod our own realities, about which we felt so helplessly speechless.”


“Memories have ways of becoming independent of the reality they evoke. They can soften us against those we were deeply hurt by or they can make us resent those we once accepted and loved unconditionally.”


“I told them this novel was an American classic, in many ways the quintessential American novel. There were other contenders: The Adventures of Huckleberry Finn, Moby-Dick, The Scarlet Letter. Some cite its subject matter, the American Dream, to justify this distinction. We in ancient countries have our past--we obsess over the past. They, the Americans, have a dream: they feel nostalgia about the promise of the future.”


“Again and again as we discussed Lolita in that class, our discussions were colored by my students' hidden personal sorrows and joys. Like tearstains on a letter, these forays into the hidden and the personal shaded all our discussions of Nabokov. And more and more I thought of that butterfly; what linked us so closely was this perverse intimacy of victim and jailer.”