“Why is it that only girls stand on the sides of their feet? As if they're afraid to plant themselves?”

“But his kind will always lose in the end. I know this, and now I know why. Whether it's wife or nation they occupy, their mistake is the same: they stand still, and their stake moves underneath them.... Chains rattle, rivers roll, animals startle and bolt, forests inspire and expand, babies stretch open-mouthed from the womb, new seedlings arch their necks and creep forward into the light. Even a language won't stand still. A territory is only possessed for a moment in time. They stake everything on that moment, posing for photographs while planting the flag, casting themselves in bronze.... Even before the flagpole begins to peel and splinter, the ground underneath arches and slides forward into its own new destiny. It may bear the marks of boots on its back, but those marks become the possessions of the land.”

“The way I see it, a person isn't nothing more than a scarecrow... The only difference between one that stands up good and one that blows over is what kind of a stick they're stuck up there on.”

“In Kilanga, people knew nothing of things they might have had - a Frigidaire? a washer-dryer combination? Really, they'd sooner imagine a tree that could pull up its feet and go bake bread. It didn't occur to them to feel sorry for themselves.”

“A flower is a plant's way of making love.”

“mountains. They stand at every view, like a mother offering a blanket in which to wrap everyday life and shelter it from useless. dreads. In june they are walls of white rhodendron blossom. In autumn the forests set themselves afflame with color. Even winter has its icy charms.”

“Most of the girls my age, or even younger, have babies. They appear way too young to be married, till you look in their eyes. Then you'll see it. Their eyes look happy and sad at the same time, but unexcited by anything, shifting easily off to the side as if they've already seen most of what there is. Married eyes.”