“Writing is storytelling and all of us are authors, not just of words but of reality. You are the author of your life, so go out and live! Then never quit writing about it!”

“Whatever it is you are thinking of trying, go for it. Give it your best shot!”

“They were all lawyers, all schooled in the authority of words, though as their words turned to dust a pall of impotence and futility settled over the mission.”

“If I was writing a lifestyle book it would have the same advice on every page, and you’d know it all already. Eat lots of fruit and vegetables, and live your whole life in every way as well as you can: exercise regularly as part of your daily routine, avoid obesity, don’t drink too much, don’t smoke, and don’t get distracted from the real, basic, simple causes of ill health. But as we will see, even these things are hard to do on your own, and in reality require wholesale social and political changes.”

“If you don’t put 99 percent of yourself into the writing, there will be no publishing career. There’s the writer and there’s the author. The author—you don’t ever think about the author. Just think about the writer. So my advice would be, find a way to not care—easier said than done. Accept that the world may never notice this thing you worked so hard at. And instead, do it for it, find a job, find a way of living that gives you an hour or two or three a day to do it, and then work your ass off sending out, trying to get out there, but do not put the pressure on the work to do something for you. Because then you’re going to be writing dishonestly and for the market instead of for the characters and your story.”

“If you would not be forgotten as soon as you are dead and rottin', either write things width reading or do things worth writing.”

“Who is setting the bar for what you call accessibility? The definition of “accessible” is “easy to understand,” and so much of the fiction I love is just… not that. It is complex and rich and sometimes puzzling, and it stays with me precisely because I can’t quite wrap my head around it. Sometimes it is lucid and approachable on the surface, and other times the language is congested in order to fire up strong sensations. Accessibility is such a strange, sad measure of the writing I love. Dora the Explorer is accessible. The Unconsoled is not. But I have never been deliberately difficult, if that’s what you’re getting at. That has no appeal to me. I’ve always tried to write the fiction that compels me the most — I have to feel passionate, engaged, and nearly desperate if I’m going to get anything done. When I’m working on material that is conceptual or abstract or in some way difficult, I strive for clarity, transparency, a vivid attack.”