“The purpose of a writer is to keep civilisation from destroying itself."(Interview, New York Post Magazine, September 14, 1958)”

Bernard Malamud

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“A writer is a spectator, looking at everything with a highly critical eye.”


“She had recently come to think that in such unhappy times-when the odds were so high against personal happiness-to find love was miraculous, and to fulfill it as best as two people could was what really mattered. Was it more important to insist a man's religious beliefs be exactly hers, or that the two of them have in common ideals, a desire to keep love in their lives, and to preserve in every possible way what was best in themselves? The less difference among people, the better; thus she settled it for herself yet was dissatisfied for those for whom she hadn't settled it,”


“She waited uneasily and shyly. From afar he saw that her eyes--clearly her father's--were filled with desperate innocence. He pictured, in her, his own redemption. Violins and lit candles revolved in the sky. Leo ran forward with flowers out-thrust.”


“Wonderboy flashed in the sun. It caught the sphere it was biggest. A noise like a twenty-one gun salute cracked the sky. There was a straining, ripping sound and a few drops of rain spattered to the ground somebody then shouted it was raining cats and dogs. By the time of Roy got in from second he was wading in water ankle deep.”


“Her face deeply moved him. Why, he could at first not say. It gave him the impression of youth--spring flowers, yet age--a sense of having been used to the bone, wasted; this came from the eyes, which were hauntingly familiar, yet absolutely strange. He had a vivid impression that he had met her before, but try as he might he could not place her although he could almost recall her name, as he had read it in her own handwriting. No, this couldn't be; he would have remembered her. It was not, he affirmed, that she had an extraordinary beauty--no, though her face was attractive enough; it was that something about her moved him. Feature for feature, even some of the ladies of the photographs could do better; but she lapsed forth to this heart--had lived, or wanted to--more than just wanted, perhaps regretted how she had lived--had somehow deeply suffered: it could be seen in the depths of those reluctant eyes, and from the way the light enclosed and shone from her, and within her, opening realms of possibility: this was her own. Her he desired. His head ached and eyes narrowed with the intensity of his gazing, then as if an obscure fog had blown up in the mind, he experienced fear of her and was aware that he had received an impression, somehow, of evil. He shuddered, saying softly, it is thus with us all. Leo brewed some tea in a small pot and sat sipping it without sugar, to calm himself. But before he had finished drinking, again with excitement he examined the face and found it good: good for Leo Finkle. Only such a one could understand him and help him seek whatever he was seeking. She might, perhaps, love him. How she had happened to be among the discards in Salzman's barrel he could never guess, but he knew he must urgently go find her.”


“There comes a time in a man's life when to get where he has to go--if there are no doors or windows--he walks through a wall.”