“This [Hegel's philosophy] illustrates an important truth, namely, that the worse your logic, the more interesting the consequences to which it gives rise.”
“Noone has yet succeeded in inventing a philosophy at once credible and self-consistent. Locke aimed at credibility, and achieved it at the expense of consistency. Most of the great philosophers have done the opposite. A philosophy which is not self-consistent cannot be wholly true, but a philosophy which is self-consistent can very well be wholly false. The most fruitful philosophies have contained glaring inconsistencies, but for that very reason have been partially true. There is no reason to suppose that a self-consistent system contains more truth than one which, like Locke’s, is more or less wrong.”
“Philosophy which does not seek to impose upon the world its own conceptions of good and evil is not only more likely to achieve truth, but is also the outcome of a higher ethical standpoint than one which, like evolutionism and most traditional systems, is perpetually appraising the universe and seeking to find in it an embodiment of present ideals.”
“Machines deprive us of two things which are certainly important ingredients of human happiness, namely, spontaneity and variety.”
“Philosophy, if it cannot answer so many questions as we could wish, has at least the power of asking questions which increase the interest of the world, and show the strangeness and wonder lying just below the surface even in the commonest things of daily life.”
“Philosophy, for Plato, is a kind of vision, the 'vision of truth' ... Everyone who has done any kind of creative work has experienced, in a greater or less degree, the state of mind in which, after long labour, truth or beauty appears, or seems to appear, in a sudden glory – it may only be about some small matter, or it may be about the universe ... I think most of the best creative work, in art, in science, in literature, and in philosophy, has been the result of such a moment.”
“When men assimilate themselves to machines and value only the consequences of their work, not the work itself, style disappears, to be replaced by something which to the mechanised man appears more natural, though in fact is only more brutal.”