“I've tried to keep pleasant," Mabel went on. "You don't know how I've tried. I have that verse pinned up on my dresser, aboutThe man worth while is the man who can smile,When everything goes dead wrong.""Take it down," Mother said cheerfully. "If there's a verse in the world that has been worked overtime, it's that one. I can't think of anything more inane than to smile when everything goes dead wrong, unless it is to cry when everything is passably right. That verse always seemed to me to be a surface sort of affair. Take it down and substitute 'I will lift up mine eyes unto the hills from whence cometh my help.' That goes to the heart of things--when you feel that strength, then the dead-wrong things begin to miraculously right themselves.”

“...Let me tell you something, Allen. I've been around now, enough to know there are some bigger things in the world than marriage and a prosaic settling down under one roof.""Now, I'll tell you something." He sat up straighter under the wheel. "There isn't,—not a thing—when it's two people who really care, and, and settling down under one roof, as you say, is the beginning of a real home. There's nothing finer...”

“It is easy enough to be pleasant, When life flows by like a song, But the man worth while is one who will smile, When everything goes dead wrong.”

“It is easy to be pleasant when life flows by like a song, but the man worth while is the one who will smile when everything goes dead wrong. For the test of the heart is trouble, and it always comes with years, and the smile that is worth the praises of earth is the smile that shines through the tears.”

“Katherine it was who took upon herself the complete charge of [Junior's] speech. Not an insignificant "have went" nor an infinitesimal "I seen" ever escaped the keen ears of his eldest sister, who immediately corrected him. Mother sometimes thought Katherine a little severe when, in the interest of proper speaking, she would stop him in the midst of an exciting account of a home-run. There were times, thought Mother, when the spirit of the thing was so much more important than the flesh in which it was clothed.”

“I . . . you mean me?""Quite naturally, when I said, 'What about you, yourself,' I meantyou.”

“You have, to dream things out. It keeps a kind of an ideal before you. You see it first in your mind and then you set about to try and make it like the ideal. If you want a garden,—why, I guess you've got to dream a garden.”