“So she learned ways of conserving bits of seconds. Long before the train ground to a stop at her station, she pushed her way to the door to be one of the first expelled when it slid open. Out of the train, she ran like a deer, circling the crowd to be the first up the stairs leading to the street. Walking to the office, she kept close to the buildings so she could turn corners sharply. She crossed streets kittycorner to save stepping off and on an extra pair of curbs. At the building, she shoved her way into the elevator even though the operator yelled "Car's full!" And all this maneuvering to arrive one minute before, instead of after nine!”

“She adapted herself to the split-second rhythm of the New Yorker going to and from work. Getting to the office was a nervous ordeal. If she arrived one minute before nine, she was a free person. If she arrived one minute after, she worried because that made her the logical scapegoat of the boss if he happened to be in a bad mood that day.”

“But what I kept wondering about is this: that first second when she felt her skirt burning, what did she think? Before she knew it was candles, did she think she'd done it herself? With the amazing turns of her hips, and the warmth of the music inside her, did she believe, for even one glorious second, that her passion had arrived?”

“Up on the roof Tatiana thought about the evening minute, the minute she used to walk out the factory doors, turn her head to the left even before her body turned, and look for his face. The evening minute as she hurried down the street, her happiness curling her mouth upward to the white sky, the red wings speeding her to him, to look up at him and smile.”

“Directly in front of me, crossing the street, I saw a woman laughing and walking arm in arm with two men. When she came to the curb, she lifted her skirt with both hands and vulgarly displayed a pair of indigo stockings.”

“Before getting to my mother's house, I would always think of her on the porch or even on the street, sweeping. She had a light way of sweeping, as if removing the dirt were not as important as moving the broom over the ground. Her way of sweeping was symbolic; so airy, so fragile, with a broom she tried to sweep away all the horrors, all the loneliness, all the misery that had accompanied her all her life...”