“A sentence starts out like a lone traveler heading into a blizzard at midnight, tilting into the wind, one arm shielding his face, the tails of his thin coat flapping behind him.”

“But tomorrow, dawn will come the way I picture her, barefoot and disheveled, standing outside my windowin one of the fragile cotton dresses of the poor.She will look in at me with her thin arms extended,offering a handful of birdsong and a small cup of light.”

“The Death of Allegory I am wondering what became of all those tall abstractions that used to pose, robed and statuesque, in paintings and parade about on the pages of the Renaissance displaying their capital letters like license plates. Truth cantering on a powerful horse, Chastity, eyes downcast, fluttering with veils. Each one was marble come to life, a thought in a coat, Courtesy bowing with one hand always extended, Villainy sharpening an instrument behind a wall, Reason with her crown and Constancy alert behind a helm. They are all retired now, consigned to a Florida for tropes. Justice is there standing by an open refrigerator. Valor lies in bed listening to the rain. Even Death has nothing to do but mend his cloak and hood, and all their props are locked away in a warehouse, hourglasses, globes, blindfolds and shackles. Even if you called them back, there are no places left for them to go, no Garden of Mirth or Bower of Bliss. The Valley of Forgiveness is lined with condominiums and chain saws are howling in the Forest of Despair. Here on the table near the window is a vase of peonies and next to it black binoculars and a money clip, exactly the kind of thing we now prefer, objects that sit quietly on a line in lower case, themselves and nothing more, a wheelbarrow, an empty mailbox, a razor blade resting in a glass ashtray. As for the others, the great ideas on horseback and the long-haired virtues in embroidered gowns, it looks as though they have traveled down that road you see on the final page of storybooks, the one that winds up a green hillside and disappears into an unseen valley where everyone must be fast asleep.”

“Introduction to Poetry I ask them to take a poemand hold it up to the lightlike a color slideor press an ear against its hive.I say drop a mouse into a poemand watch him probe his way out,or walk inside the poem's roomand feel the walls for a light switch.I want them to waterskiacross the surface of a poemwaving at the author's name on the shore.But all they want to dois tie the poem to a chair with ropeand torture a confession out of it.They begin beating it with a hoseto find out what it really means.”

“It is time to float on the waters of the night. Time to wrap my arms around this book and press it to my chest, life preserver in a sea of unremarkable men and women, anonymous faces on the street, a hundred thousand unalphabetized things, a million forgotten hours.”

“Picnic, LightningIt is possible to be struck by a meteoror a single-engine planewhile reading in a chair at home.Safes drop from rooftopsand flatten the odd pedestrianmostly within the panels of the comics,but still, we know it is possible,as well as the flash of summer lightning,the thermos toppling over,spilling out on the grass.And we know the messagecan be delivered from within.The heart, no valentine,decides to quit after lunch,the power shut off like a switch,or a tiny dark ship is unmooredinto the flow of the body’s rivers,the brain a monastery,defenseless on the shore.This is what I think aboutwhen I shovel compostinto a wheelbarrow,and when I fill the long flower boxes,then press into rowsthe limp roots of red impatiens—the instant hand of Deathalways ready to burst forthfrom the sleeve of his voluminous cloak.Then the soil is full of marvels,bits of leaf like flakes off a fresco,red-brown pine needles, a beetle quickto burrow back under the loam.Then the wheelbarrow is a wilder blue,the clouds a brighter white,and all I hear is the rasp of the steel edgeagainst a round stone,the small plants singingwith lifted faces, and the clickof the sundialas one hour sweeps into the next.”

“One of these days I'm-a make me a book out of you.”