“Speaking more generally about what attracted him to bluegrass banjo, he said it was 'just the sound of the instrument, and then the fire, you know; the speed and all that. I was attracted by the intensity of it, really. And I was drawn to that incredible clarity-- when something is going along real fast and every note is absolutely clear. That, to me, was really amazing-- the Earl Scruggs instrumentals...' But Garcia refused to commit himself to just one style of music. Though bluegrass became his overriding obsession for about two years, he still dabbled in folk, old-timey and blues whenever the opportunity arose and there were players around.”

“Hunter he had these big tins of crushed pineapple that he'd gotten from the army,' Garcia said, 'and i had this glove compartment full of plastic spoons, and we had this little cooperative scene, eating this crushed pineapple day after day and sleeping in the cars and walking around.”

“Garcia had traded his Sears electric guitar for an acoustic model shortly after arriving in Palo Alto, and late that spring Barbara bought him a better guitar, and shortly after that, a lovely sounding Stella twelve-string.”

“David Nelson says that one of the staples of his diet during this era was ketchup sandwiches”

“What Dad taught me above all else, and did so utterly unconsciously, was why people like him became Tories. He had been poor. He was working class. He aspired to be middle class. He worked hard, made it on his merits, and wanted his children to do even better than him. He thought – as did many others of his generation – that the logical outcome of this striving, born of this attitude, was to be a Tory. Indeed, it was part of the package. You made it; you were a Tory: two sides of the same coin. It became my political ambition to break that connection, and replace it with a different currency. You are compassionate; you care about those less fortunate than yourself; you believe in society as well as the individual. You can be Labour. You can be successful and care; ambitious and compassionate; a meritocrat and a progressive. These are entirely compatible ways of making sure progress happens; and they answer the realistic, not utopian, claims of human nature.”

“I know vaudeville isn't supposed to be art. It's supposed to be entertainment, which is different. But I think art...I think it's making something from nothing, basically. It's taking something as simple as movement, or a few notes, or steps, or words, and putting them all together so that they're bigger than what they ever could have been separate. They're transformed. And just witnessing that transformation changes you. It reaches into your insides and moves things around. It's magic, of a sort. I never really knew that until I saw your act. But when you walked out on that stage, I knew I was seeing something...different. Something maybe more amazing than what the professor and Silenus had done. You were making something up there, out of just the simplest elements possible, and seeing it changed something in me. I'd never encountered anything like that.”

“In the field I’m in, there is a lot of that and it gets offered to me all the time. People even go as far as to just stick it in your pocket and walk off. Now, if it was a good thing, they wouldn’t do that. I mean, would somebody drop something beautiful in my pocket and just walk off? But I don’t want to have anything to do with any of that. I mean, as corny as it sounds, but this is how I really believe: Natural highs are the greatest highs in the world. Who wants to take something and just sit around for the rest of the day after you take it (drugs), and don’t know who you are, what you’re doing, where you are? Take in something that’s gonna inspire you to do greater things in the world.”