“Tell me, Blaise, are we very far from Montmartre?'Worries Forget your worries All the stations full of cracks tilted along the way The telegraph wires they hang from The grimacing poles that gesticulate and strangle themThe world stretches lengthens and folds in like an accordion tormented by a sadistic handIn the cracks of the sky the locomotives in anger FleeAnd in the holes,The whirling wheels the mouths the voicesAnd the dogs of misfortune that bark at our heelsThe demons are unleashedIron railsEverything is off-key The broun-roun-roun of the wheelsShocksBouncesWe are a storm under a deaf man's skull...'Tell me, Blaise, are we very far from Montmartre?'Hell yes, you're getting on my nerves you know very well we're far away Overheated madness bellows in the locomotivePlague, cholera rise up like burning embers on our wayWe disappear in the war sucked into a tunnel Hunger, the whore, clings to the stampeding cloudsAnd drops battle dung in piles of stinking corpsesDo like her, do your job'Tell me, Blaise, are we very far from Montmartre?”

“But me no buts, we're going to make whoopee, I tell you.”

“...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a ...more "...Is there a more monstrous thought, a more convincing spectacle, a more patent affirmation of the impotence and madness of the brain? War. All our philosophies, religions, arts, techniques and trades lead to nothing but this. The finest flowers of civilization. The purest constructions of thought. The most generous and altruistic passions of the heart. The most heroic gestures of man. War. Now and thousand years ago. Tomorrow and a hundred thousand years ago. No, it's not a question of your country, my German or French friend, or yours, whether you're black or white or Papuan or a Borneo monkey. It's a question of your life. If you want to live, kill. Kill so that you can be free, or eat, or shit. The shameful thing is to kill in masses, at a predetermined hour on a predetermined day, in honour of certain principles, under cover of a flag, with old men nodding approval, to kill in a disinterested or passive way. Stand alone against them all, young man, kill, kill, you are unique, you're the only man alive, kill until the others cut you short with the guillotine or the cord or the rope, with or without ceremony, in the name of the Community or King.What a laugh.”

“I like the fans’ sound at night. Do you? It’s like somebody big far away goes like: it’sOKit’sOKit’sOKit’sOK, over and over. From very far away.”

“One's life, from being an exterior thing, grows inwards. Its intensity stays the same; and, d'you know, it's most mysterious, the corners in which the joy of living can sometimes hide away.”

“My poor lifeThis shawlFrayed on strongboxes full of goldI roll along withDreamAnd smokeAnd the only flame in the universe”

“Memory is a landscape watched from the window of a moving train. (...) These things happen right before our very eyes, we know them to be real, but they're so far away we can't touch them. Some are so far, so very far away, and the train moving so fast, that we can't be sure any longer that they really did happen. Maybe we merely dreamed them?”